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dc.contributor.authorBrown, Karen Elizabeth
dc.contributor.authorMairesse, Francois
dc.date.accessioned2018-10-29T10:30:10Z
dc.date.available2018-10-29T10:30:10Z
dc.date.issued2019-01-13
dc.identifier252009911
dc.identifier95ed0431-5fd5-439b-8fa5-5568527deab6
dc.identifier000455495800002
dc.identifier.citationBrown , K E & Mairesse , F 2019 , ' The definition of the museum through its social role ' , Curator: The Museum Journal , vol. 61 , no. 4 , pp. 525-539 . https://doi.org/10.1111/cura.12276en
dc.identifier.issn0011-3069
dc.identifier.otherORCID: /0000-0002-8681-4966/work/50167394
dc.identifier.urihttps://hdl.handle.net/10023/16348
dc.descriptionFunding: Horizon2020 EU-LAC-MUSEUMS (693669)en
dc.description.abstractFor the seventh time in its history the ICOM [1] Definition of a Museum is under discussion, with a view to possible revision to be agreed at the General Conference in Kyoto in September 2019. As part of this process, ICOFOM initiated an academic debate on the Definition, welcoming museologists, museum professionals and policy makers to a suite of symposia held around the world in 2017. In this article, we consider the results of symposia held in France, Argentina, Brazil, and Scotland in the light of the changing social role of museums, and reveal how the museum has come to perceive itself differently in relation to museum values, participation and social inclusion in Europe and Latin America.
dc.format.extent144147
dc.language.isoeng
dc.relation.ispartofCurator: The Museum Journalen
dc.subjectAM Museums (General). Collectors and collecting (General)en
dc.subjectT-NDASen
dc.subject.lccAMen
dc.titleThe definition of the museum through its social roleen
dc.typeJournal articleen
dc.contributor.sponsorEuropean Commissionen
dc.contributor.institutionUniversity of St Andrews. School of Art Historyen
dc.contributor.institutionUniversity of St Andrews. Centre for Contemporary Arten
dc.identifier.doi10.1111/cura.12276
dc.description.statusPeer revieweden
dc.identifier.grantnumber693669en


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