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Inter(acting) : television, performance and synthesis
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dc.contributor.author | Donaldson, Lucy Fife | |
dc.contributor.author | Walters, James | |
dc.date.accessioned | 2018-08-23T14:30:05Z | |
dc.date.available | 2018-08-23T14:30:05Z | |
dc.date.issued | 2018-08-21 | |
dc.identifier | 253030574 | |
dc.identifier | e155fca1-c391-4fbb-a06c-616203f276e4 | |
dc.identifier | 85052144949 | |
dc.identifier | 000442386600007 | |
dc.identifier.citation | Donaldson , L F & Walters , J 2018 , ' Inter(acting) : television, performance and synthesis ' , Critical Studies in Television , vol. 13 , no. 3 , pp. 352-369 . https://doi.org/10.1177/1749602018781465 | en |
dc.identifier.issn | 1749-6020 | |
dc.identifier.other | ORCID: /0000-0002-4029-7465/work/61978889 | |
dc.identifier.uri | https://hdl.handle.net/10023/15862 | |
dc.description.abstract | In placing synthesis as a central dynamic, this article seeks to identify and value the occasions where the work of the television actor manages a delicate balance between functional requirements of an environment and their potential to establish a more developed set of interrelationships within it, disclosing intricacies of character interiority through expressive interactions with commonplace tasks and spaces. In response to their dual potential for expressivity and significance, we choose to focus on performances that occur within modes of transport, using detailed moments from 24 (Fox, 2001-2014), The Sopranos (HBO, 1999-2007), Happy Valley (BBC, 2014-) and Broad City (Comedy Central, 2014-). | |
dc.format.extent | 309325 | |
dc.language.iso | eng | |
dc.relation.ispartof | Critical Studies in Television | en |
dc.subject | Performance | en |
dc.subject | Visual style | en |
dc.subject | TV drama | en |
dc.subject | Comedy | en |
dc.subject | Drama | en |
dc.subject | PN1990 Broadcasting | en |
dc.subject | T-NDAS | en |
dc.subject.lcc | PN1990 | en |
dc.title | Inter(acting) : television, performance and synthesis | en |
dc.type | Journal article | en |
dc.contributor.institution | University of St Andrews. Centre for Ancient Environmental Studies | en |
dc.contributor.institution | University of St Andrews. Film Studies | en |
dc.contributor.institution | University of St Andrews. Centre for Contemporary Art | en |
dc.identifier.doi | 10.1177/1749602018781465 | |
dc.description.status | Peer reviewed | en |
dc.date.embargoedUntil | 2018-08-21 |
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