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dc.contributor.authorDonaldson, Lucy Fife
dc.contributor.authorWalters, James
dc.date.accessioned2018-08-23T14:30:05Z
dc.date.available2018-08-23T14:30:05Z
dc.date.issued2018-08-21
dc.identifier.citationDonaldson , L F & Walters , J 2018 , ' Inter(acting) : television, performance and synthesis ' , Critical Studies in Television , vol. 13 , no. 3 , pp. 352-369 . https://doi.org/10.1177/1749602018781465en
dc.identifier.issn1749-6020
dc.identifier.otherPURE: 253030574
dc.identifier.otherPURE UUID: e155fca1-c391-4fbb-a06c-616203f276e4
dc.identifier.otherScopus: 85052144949
dc.identifier.otherWOS: 000442386600007
dc.identifier.otherORCID: /0000-0002-4029-7465/work/61978889
dc.identifier.urihttp://hdl.handle.net/10023/15862
dc.description.abstractIn placing synthesis as a central dynamic, this article seeks to identify and value the occasions where the work of the television actor manages a delicate balance between functional requirements of an environment and their potential to establish a more developed set of interrelationships within it, disclosing intricacies of character interiority through expressive interactions with commonplace tasks and spaces. In response to their dual potential for expressivity and significance, we choose to focus on performances that occur within modes of transport, using detailed moments from 24 (Fox, 2001-2014), The Sopranos (HBO, 1999-2007), Happy Valley (BBC, 2014-) and Broad City (Comedy Central, 2014-).
dc.language.isoeng
dc.relation.ispartofCritical Studies in Televisionen
dc.rightsCopyright © 2018, the Authors. This work has been made available online in accordance with the publisher’s policies. This is the author created accepted version manuscript following peer review and as such may differ slightly from the final published version. The final published version of this work is available at https://doi.org/10.1177/1749602018781465en
dc.subjectPerformanceen
dc.subjectVisual styleen
dc.subjectTV dramaen
dc.subjectComedyen
dc.subjectDramaen
dc.subjectPN1990 Broadcastingen
dc.subjectT-NDASen
dc.subject.lccPN1990en
dc.titleInter(acting) : television, performance and synthesisen
dc.typeJournal articleen
dc.description.versionPostprinten
dc.contributor.institutionUniversity of St Andrews.Centre for Ancient Environmental Studiesen
dc.contributor.institutionUniversity of St Andrews.Film Studiesen
dc.contributor.institutionUniversity of St Andrews.Centre for Contemporary Arten
dc.identifier.doihttps://doi.org/10.1177/1749602018781465
dc.description.statusPeer revieweden
dc.date.embargoedUntil2018-08-21


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