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The dark power of belonging : The T-Shirt
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dc.contributor.author | Burgoyne, Robert James | |
dc.date.accessioned | 2018-04-01T23:34:46Z | |
dc.date.available | 2018-04-01T23:34:46Z | |
dc.date.issued | 2017-04-01 | |
dc.identifier.citation | Burgoyne , R J 2017 , ' The dark power of belonging : The T-Shirt ' , Short Film Studies , vol. 7 , no. 1 , pp. 93-96 . https://doi.org/10.1386/sfs.7.1.93_1 | en |
dc.identifier.issn | 2042-7824 | |
dc.identifier.other | PURE: 248120436 | |
dc.identifier.other | PURE UUID: 6fa457cc-a6e1-4338-b07c-2400bfbde4da | |
dc.identifier.other | Scopus: 84991764910 | |
dc.identifier.other | WOS: 000397255100021 | |
dc.identifier.uri | https://hdl.handle.net/10023/13054 | |
dc.description.abstract | In The T-Shirt, disagreement overflows into brutal confrontation, as the two characters provoke each other to act out roles preordained by the power of symbols. What Freud called the ‘narcissism of minor differences’ is rendered here as social pathology, dramatized in miniature in the violent encounter of two ordinary people. | |
dc.format.extent | 4 | |
dc.language.iso | eng | |
dc.relation.ispartof | Short Film Studies | en |
dc.rights | Copyright 2016 the Author. This work has been made available online in accordance with the publisher’s policies. This is the author created, accepted version manuscript following peer review and may differ slightly from the final published version. The final published version of this work is available at: https://doi.org/10.1386/sfs.7.1.93_1 | en |
dc.subject | America | en |
dc.subject | Slovakia | en |
dc.subject | Baseball | en |
dc.subject | Flag | en |
dc.subject | Nationalism | en |
dc.subject | Religion | en |
dc.subject | Symbols | en |
dc.subject | Violence | en |
dc.subject | PN1993 Motion Pictures | en |
dc.subject | Arts and Humanities(all) | en |
dc.subject | T-NDAS | en |
dc.subject | SDG 16 - Peace, Justice and Strong Institutions | en |
dc.subject.lcc | PN1993 | en |
dc.title | The dark power of belonging : The T-Shirt | en |
dc.type | Journal article | en |
dc.description.version | Postprint | en |
dc.contributor.institution | University of St Andrews. Film Studies | en |
dc.identifier.doi | https://doi.org/10.1386/sfs.7.1.93_1 | |
dc.description.status | Peer reviewed | en |
dc.date.embargoedUntil | 2018-04-01 |
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