Show simple item record

Files in this item

Item metadata

dc.contributor.authorHugueny-Leger, Elise Simone Marie
dc.date.accessioned2018-02-17T00:32:53Z
dc.date.available2018-02-17T00:32:53Z
dc.date.issued2017-01
dc.identifier.citationHugueny-Leger , E S M 2017 , ' Broadcasting the self : autofiction, television and representations of authorship in contemporary French literature ' Life-writing , vol. 14 , no. 1 , pp. 5-18 . https://doi.org/10.1080/14484528.2016.1219215en
dc.identifier.issn1448-4528
dc.identifier.otherPURE: 243407691
dc.identifier.otherPURE UUID: 233a307d-73ac-4aa4-8b92-d6656bf39b7b
dc.identifier.otherScopus: 84982144026
dc.identifier.otherORCID: /0000-0001-8588-7461/work/52888731
dc.identifier.urihttp://hdl.handle.net/10023/12738
dc.descriptionThis work was supported by a research grant from the Carnegie Trust for the Universities of Scotland which funded research at the Bibliothèque Nationale de France.en
dc.description.abstractThis article examines the rise of autofiction as literary notion and cultural phenomenon in modern France. The past decades saw the rise of texts which not only challenge the convention of traditional autobiography and its reader-writer ‘pact’, but also integrate visual modes of representation in the fabric of the narrative, as tools and metaphors for the process of projection of the self that is autofiction. As television became an essential medium to promote and disseminate the figure of the intellectual in France, it has also been used as a tool to shape and manipulate the notion of authorship in life-writing. Drawing on examples including Duras’s televised performance and more recent texts by Beigbeder, Angot, Nothomb and Delaume, this article examines the use of the televised medium as site of contention for authors who have aptly exploited the potential of the small screen within and outside their textual productions. The conclusion asks if autofiction can be perceived as a literary equivalent of reality television.en
dc.language.isoeng
dc.relation.ispartofLife-writingen
dc.rights© 2016 Informa UK Limited, trading as Taylor & Francis Group. This work is made available online in accordance with the publisher’s policies. This is the author created, accepted version manuscript following peer review and may differ slightly from the final published version. The final published version of this work is available at http://dx.doi.org/10.1080/14484528.2016.1219215en
dc.subjectAutofictionen
dc.subjectTelevisionen
dc.subjectAuthorshipen
dc.subjectFranceen
dc.subjectPQ Romance literaturesen
dc.subjectT-NDASen
dc.subject.lccPQen
dc.titleBroadcasting the self : autofiction, television and representations of authorship in contemporary French literatureen
dc.typeJournal articleen
dc.description.versionPostprinten
dc.contributor.institutionUniversity of St Andrews. Frenchen
dc.contributor.institutionUniversity of St Andrews. School of Modern Languagesen
dc.identifier.doihttps://doi.org/10.1080/14484528.2016.1219215
dc.description.statusPeer revieweden
dc.date.embargoedUntil16-02-20


The following license files are associated with this item:

This item appears in the following Collection(s)

Show simple item record