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dc.contributor.authorBond, Emma Frances
dc.date.accessioned2018-01-02T00:31:43Z
dc.date.available2018-01-02T00:31:43Z
dc.date.issued2016-01-01
dc.identifier.citationBond , E F 2016 , ' ‘Intoxicated geographies’: sites of refraction and fragmentation in Scipio Slataper’s Il mio Carso and Hermann Hesse’s Der Steppenwolf ' , Modern Language Review , vol. 111 , no. 1 , pp. 1-16 . < http://www.jstor.org/stable/10.5699/modelangrevi.111.1.0001 >en
dc.identifier.issn0026-7937
dc.identifier.otherPURE: 225049777
dc.identifier.otherPURE UUID: d84c366c-cdbe-4eec-ab6d-a31d7c3f4f28
dc.identifier.otherORCID: /0000-0002-0558-4135/work/51261091
dc.identifier.otherScopus: 84999264529
dc.identifier.urihttp://hdl.handle.net/10023/12403
dc.description.abstractIl mio Carso and Der Steppenwolf both portray drinking scenes that make their protagonists reconsider their standing in relation to an increasingly fragmented modern world. Using Hubbard‘s ‘intoxicated geographies’ as an interpretative hinge, this article charts the effects of this embodied experience on the two texts. In both, the drinking lens functions as a revelatory device which highlights the transcendent liminality of modernist consciousness in various ways. By blurring the boundaries of social interaction, muddling awareness of time, and complicating notions of consciousness, the two drinking scenes allow a widening of perception that demands an analogous narrative re-positioning in response.
dc.format.extent16
dc.language.isoeng
dc.relation.ispartofModern Language Reviewen
dc.rightsCopyright 2015 Modern Humanities Research Association. This work is made available online in accordance with the publisher’s policies. This is the author created, accepted version manuscript following peer review and may differ slightly from the final published version. The final published version of this work is available at http://www.jstor.org/stable/10.5699/modelangrevi.111.1.0001en
dc.subjectPN0080 Criticismen
dc.subject.lccPN0080en
dc.title‘Intoxicated geographies’: sites of refraction and fragmentation in Scipio Slataper’s Il mio Carso and Hermann Hesse’s Der Steppenwolfen
dc.typeJournal articleen
dc.description.versionPostprinten
dc.contributor.institutionUniversity of St Andrews.Italianen
dc.description.statusPeer revieweden
dc.date.embargoedUntil2018-01-01
dc.identifier.urlhttp://www.jstor.org/stable/10.5699/modelangrevi.111.1.0001en


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