Files in this item
Narrative and the body in uniform : East German military masculinities in Claus Dobberke’s Ein Katzensprung and Jürgen Fuchs’s Fassonschnitt
Item metadata
dc.contributor.author | Smith, Thomas | |
dc.date.accessioned | 2017-10-02T14:31:22Z | |
dc.date.available | 2017-10-02T14:31:22Z | |
dc.date.issued | 2015-01 | |
dc.identifier.citation | Smith , T 2015 , ' Narrative and the body in uniform : East German military masculinities in Claus Dobberke’s Ein Katzensprung and Jürgen Fuchs’s Fassonschnitt ' , Modern Language Review , vol. 110 , no. 1 , pp. 204-221 . https://doi.org/10.5699/modelangrevi.110.1.0204 | en |
dc.identifier.issn | 0026-7937 | |
dc.identifier.other | PURE: 251204245 | |
dc.identifier.other | PURE UUID: d2321a23-04d3-4efb-b205-07e57f81af66 | |
dc.identifier.other | Scopus: 85000900018 | |
dc.identifier.other | ORCID: /0000-0001-5084-8729/work/40763204 | |
dc.identifier.uri | https://hdl.handle.net/10023/11781 | |
dc.description.abstract | This article explores the relationship between body and uniform as one of two competing narratives of masculinity. Literature and film depicting the Nationale Volksarmee of East Germany (NVA) present uniform's narrative of ideal military masculinity in conflict with a second, apparently more natural narrative of masculinity written on the body. Claus Dobberke's 'Ein Katzensprung' (1976) and Jürgen Fuchs's 'Fassonschnitt' (1984) explore ways that the body might subvert the effects of uniform. Ultimately, however, these two works depict the uniform transforming body and psyche and unsettling existing narratives of masculinity, even disrupting the narrative text itself. | |
dc.format.extent | 18 | |
dc.language.iso | eng | |
dc.relation.ispartof | Modern Language Review | en |
dc.rights | Copyright 2015 Modern Humanities Research Association. This work has been made available online in accordance with the publisher’s policies. This is the author created accepted version manuscript following peer review and as such may differ slightly from the final published version. The final published version of this work is available at: https://doi.org/10.5699/modelangrevi.110.1.0204 | en |
dc.subject | Masculinity | en |
dc.subject | Military | en |
dc.subject | Gender | en |
dc.subject | Dobberke | en |
dc.subject | Fuchs | en |
dc.subject | GDR | en |
dc.subject | East Germany | en |
dc.subject | Uniform | en |
dc.subject | Narrative Theory | en |
dc.subject | Literature | en |
dc.subject | Film | en |
dc.subject | German Literature | en |
dc.subject | PN1993 Motion Pictures | en |
dc.subject | D839 Post-war History, 1945 on | en |
dc.subject | DD Germany | en |
dc.subject.lcc | PN1993 | en |
dc.subject.lcc | D839 | en |
dc.subject.lcc | DD | en |
dc.title | Narrative and the body in uniform : East German military masculinities in Claus Dobberke’s Ein Katzensprung and Jürgen Fuchs’s Fassonschnitt | en |
dc.type | Journal article | en |
dc.description.version | Postprint | en |
dc.contributor.institution | University of St Andrews. German | en |
dc.identifier.doi | https://doi.org/10.5699/modelangrevi.110.1.0204 | |
dc.description.status | Peer reviewed | en |
This item appears in the following Collection(s)
Items in the St Andrews Research Repository are protected by copyright, with all rights reserved, unless otherwise indicated.