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dc.contributor.authorKemp, Jonathan Andrew
dc.date.accessioned2017-09-22T09:30:07Z
dc.date.available2017-09-22T09:30:07Z
dc.date.issued2017-09-21
dc.identifier.citationKemp , J A 2017 , ' The physics of unwound and wound strings on the electric guitar applied to the pitch intervals produced by tremolo/vibrato arm systems ' , PLoS One , vol. 12 , no. 9 , e0184803 . https://doi.org/10.1371/journal.pone.0184803en
dc.identifier.issn1932-6203
dc.identifier.otherPURE: 251006609
dc.identifier.otherPURE UUID: fdc5f5b7-a752-4d40-b3db-7345c7627eb7
dc.identifier.otherScopus: 85029690416
dc.identifier.otherORCID: /0000-0002-3861-4863/work/37034238
dc.identifier.otherWOS: 000411339900045
dc.identifier.urihttp://hdl.handle.net/10023/11716
dc.description.abstractThe physics of wound and unwound strings on the electric guitar are presented here, and the pitch intervals produced by the movements of a Fender Stratocaster tremolo unit are explained. Predicted changes in pitch sensitivity of different strings are given, and experimentally verified, for changes in saddle height, the distance of string free to move behind the nut and ratio of diameters/masses of the core and windings of wound strings. Also, it is shown that changes to the gauge of strings (assuming the string tension is sufficient for linear behaviour and in absence of changes to other construction details) don’t alter the pitch intervals produced by a given angle of tremolo arm use assuming the instrument is set up with the same sounding pitches and starting bridge angle. It is demonstrated that it not possible to equalise the relative sensitivity of unwound steel stings on a Fender Stratocaster type tremolo unit through string construction techniques. The ratio of core to winding mass in the string, on the other hand, was found to be a very powerful design parameter for choosing the sensitivity of the string to tremolo arm use and standard pitch bends. For instance, the pitch intervals produced by operation of tremolo arm for wound strings may be made to approximately match that for one of the unwound strings if they share very similar core gauges (assuming the winding masses are chosen to give approximately the same tension at their sounding pitches). Such a design, only available currently by custom order, also delivers the optimum equalisation in sensitivity of strings for standard string bends (due to these also being produced by altering the length of the string to generate changes in tension and therefore pitch).
dc.format.extent25
dc.language.isoeng
dc.relation.ispartofPLoS Oneen
dc.rights© 2017 Jonathan A. Kemp. This is an open access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.en
dc.subjectGuitaren
dc.subjectStringen
dc.subjectElectricen
dc.subjectPitchen
dc.subjectIntervalen
dc.subjectTremoloen
dc.subjectArmen
dc.subjectBenden
dc.subjectVibratoen
dc.subjectBaren
dc.subjectMusicen
dc.subjectMT Musical instruction and studyen
dc.subjectQC Physicsen
dc.subjectAcoustics and Ultrasonicsen
dc.subjectMusicen
dc.subjectMechanics of Materialsen
dc.subjectMechanical Engineeringen
dc.subjectNDASen
dc.subject.lccMTen
dc.subject.lccQCen
dc.titleThe physics of unwound and wound strings on the electric guitar applied to the pitch intervals produced by tremolo/vibrato arm systemsen
dc.typeJournal articleen
dc.description.versionPublisher PDFen
dc.contributor.institutionUniversity of St Andrews.Music Centreen
dc.identifier.doihttps://doi.org/10.1371/journal.pone.0184803
dc.description.statusPeer revieweden


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