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The fear of aesthetics in art and literary theory
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dc.contributor.author | Rose, Sam | |
dc.date.accessioned | 2017-07-18T11:30:09Z | |
dc.date.available | 2017-07-18T11:30:09Z | |
dc.date.issued | 2017-07-05 | |
dc.identifier | 241227565 | |
dc.identifier | d3f334f7-6c3b-4905-a12d-95d97397ddde | |
dc.identifier | 85021921000 | |
dc.identifier | 000404694400002 | |
dc.identifier.citation | Rose , S 2017 , ' The fear of aesthetics in art and literary theory ' , New Literary History , vol. 48 , no. 2 , pp. 223-244 . https://doi.org/10.1353/nlh.2017.0011 | en |
dc.identifier.issn | 0028-6087 | |
dc.identifier.other | ORCID: /0000-0001-9461-502X/work/60631050 | |
dc.identifier.uri | https://hdl.handle.net/10023/11235 | |
dc.description | Research for this essay was supported by: the Arts and Humanities Research Council; the Courtauld Institute of Art; and Peterhouse, Cambridge. | en |
dc.description.abstract | Is aesthetics, as has recently been claimed, now able to meet the accusations often levelled against it? This essay examines counters to three of the most common: that aesthetics is based around overly narrow conceptions of "art" and "the aesthetic"; that aesthetics is politically disengaged; and that aesthetics fails to engage with actual art objects and their histories. | |
dc.format.extent | 567312 | |
dc.language.iso | eng | |
dc.relation.ispartof | New Literary History | en |
dc.subject | BH Aesthetics | en |
dc.subject | T-NDAS | en |
dc.subject | BDC | en |
dc.subject | R2C | en |
dc.subject.lcc | BH | en |
dc.title | The fear of aesthetics in art and literary theory | en |
dc.type | Journal article | en |
dc.contributor.institution | University of St Andrews. School of Art History | en |
dc.identifier.doi | 10.1353/nlh.2017.0011 | |
dc.description.status | Peer reviewed | en |
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