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dc.contributor.authorRose, Sam
dc.date.accessioned2017-07-18T11:30:09Z
dc.date.available2017-07-18T11:30:09Z
dc.date.issued2017-07-05
dc.identifier241227565
dc.identifierd3f334f7-6c3b-4905-a12d-95d97397ddde
dc.identifier85021921000
dc.identifier000404694400002
dc.identifier.citationRose , S 2017 , ' The fear of aesthetics in art and literary theory ' , New Literary History , vol. 48 , no. 2 , pp. 223-244 . https://doi.org/10.1353/nlh.2017.0011en
dc.identifier.issn0028-6087
dc.identifier.otherORCID: /0000-0001-9461-502X/work/60631050
dc.identifier.urihttps://hdl.handle.net/10023/11235
dc.descriptionResearch for this essay was supported by: the Arts and Humanities Research Council; the Courtauld Institute of Art; and Peterhouse, Cambridge.en
dc.description.abstractIs aesthetics, as has recently been claimed, now able to meet the accusations often levelled against it? This essay examines counters to three of the most common: that aesthetics is based around overly narrow conceptions of "art" and "the aesthetic"; that aesthetics is politically disengaged; and that aesthetics fails to engage with actual art objects and their histories.
dc.format.extent567312
dc.language.isoeng
dc.relation.ispartofNew Literary Historyen
dc.subjectBH Aestheticsen
dc.subjectT-NDASen
dc.subjectBDCen
dc.subjectR2Cen
dc.subject.lccBHen
dc.titleThe fear of aesthetics in art and literary theoryen
dc.typeJournal articleen
dc.contributor.institutionUniversity of St Andrews. School of Art Historyen
dc.identifier.doi10.1353/nlh.2017.0011
dc.description.statusPeer revieweden


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