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dc.contributor.authorWhite, Michael James
dc.date.accessioned2017-03-06T10:30:09Z
dc.date.available2017-03-06T10:30:09Z
dc.date.issued2016-11-28
dc.identifier.citationWhite , M J 2016 , ' Tyranny and tragedy : paradigms of surveillance in Theodor Storm’s Aquis submersus and Carsten Curator ' Seminar: A Journal of Germanic Studies , vol. 52 , no. 4 , pp. 364-381 . DOI: 10.3138/seminar.52.4.02en
dc.identifier.issn0037-1939
dc.identifier.otherPURE: 247959880
dc.identifier.otherPURE UUID: d9387ed0-e2e7-4c8d-98bc-679c6b24bf40
dc.identifier.otherScopus: 84999806588
dc.identifier.urihttp://hdl.handle.net/10023/10403
dc.description.abstractTheodor Storm’s Novellen Aquis submersus (1876) and Carsten Curator (1878) stand out from other nineteenth-century representations of surveillance because of their intensity. Surveillance dominates the relationships between the principal characters, provides the driving force in the narrative action, and constitutes an essential mode of metaphorical expression. Aquis submersus documents an abuse of power: surveillance, in the control of correspondence and the use of informants, is the tool of a corrupt and petty aristocracy. Here, surveillance is depicted as a perverse evil, a transgression of natural justice that stands in the way of love. The text’s ending modifies this critique, however: Katharina’s child drowns as the lovers embrace, a fact that is interpreted and recorded in a painting as paternal negligence, making surveillance a moral duty that impedes the freedom of the observer as well as the observed. Carsten Curator explores surveillance failures in different ways. Carsten’s identity derives from guardianship, and it is his son’s forays outside the paternal field of vision that lead eventually to Heinrich’s death. Yet Carsten’s morality of surveillance is exposed as ideological and emotional self-control: a picture of Carsten’s father and Heinrich’s resemblance to his mother determine Carsten’s actions, functioning as absent observers whose imaginary surveillance Carsten both fears and craves.en
dc.language.isoeng
dc.relation.ispartofSeminar: A Journal of Germanic Studiesen
dc.rightsCopyright 2016 Canadian Association of University Teachers of German. This work has been made available online with permission from the Journal. This is the final published version of the work, which was originally published at: https://doi.org/10.3138/seminar.52.4.02en
dc.subjectTheodor Stormen
dc.subjectSurveillanceen
dc.subjectCarsten Curatoren
dc.subjectAquis Submersusen
dc.subjectVisualityen
dc.subjectNineteenth-century German narrativeen
dc.subjectObserveren
dc.subjectMoralityen
dc.subjectPT Germanic literatureen
dc.subject.lccPTen
dc.titleTyranny and tragedy : paradigms of surveillance in Theodor Storm’s Aquis submersus and Carsten Curatoren
dc.typeJournal articleen
dc.description.versionPublisher PDFen
dc.contributor.institutionUniversity of St Andrews. Germanen
dc.identifier.doihttps://doi.org/10.3138/seminar.52.4.02
dc.description.statusPeer revieweden
dc.date.embargoedUntil06-03-20


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