The concreteness of concrete art

dc.contributor.author	Rider, Alistair
dc.date.accessioned	2017-02-22T00:32:19Z
dc.date.available	2017-02-22T00:32:19Z
dc.date.issued	2015
dc.identifier	197052491
dc.identifier	cbdbeb18-0297-4f11-8b64-8783505652dc
dc.identifier	84940190280
dc.identifier	000360385100008
dc.identifier.citation	Rider , A 2015 , ' The concreteness of concrete art ' , Parallax , vol. 21 , no. 3 , pp. 340-352 . https://doi.org/10.1080/13534645.2015.1058887	en
dc.identifier.issn	1353-4645
dc.identifier.other	ORCID: /0000-0003-1687-9534/work/60427176
dc.identifier.uri	https://hdl.handle.net/10023/10329
dc.description.abstract	An analysis of the use of the term 'concrete' in twentieth-century art.
dc.format.extent	448067
dc.language.iso	eng
dc.relation.ispartof	Parallax	en
dc.subject	Concrete Art	en
dc.subject	Hans Arp	en
dc.subject	NX Arts in general	en
dc.subject.lcc	NX	en
dc.title	The concreteness of concrete art	en
dc.type	Journal article	en
dc.contributor.institution	University of St Andrews. School of Art History	en
dc.contributor.institution	University of St Andrews. St Andrews Sustainability Institute	en
dc.identifier.doi	10.1080/13534645.2015.1058887
dc.description.status	Peer reviewed	en
dc.date.embargoedUntil	2017-02-21