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dc.contributor.advisorMallett, Phillip
dc.contributor.authorLedyard, Margaret Dabney
dc.coverage.spatialviii, 144 p.en_US
dc.date.accessioned2016-11-16T12:44:13Z
dc.date.available2016-11-16T12:44:13Z
dc.date.issued1994
dc.identifier.urihttps://hdl.handle.net/10023/9826
dc.description.abstractThe purpose of the following study is to demonstrate the metaphoric landscape as a tool to delineate boundaries in their novels. The thesis will explore the progression of this technique from Woolf to Atwood to discover whether these two novels can be read in similar ways, "suggesting" as Avril Horner and Sue Zlosnik remark, "a continuing tradition of alternative quest and vision in women's writing." The first part of the thesis introduces metaphoric landscape and illustrates the various ways that Woolf and Atwood use the technique. biographical sketch of Woolf, and it closely examines five of the author's novels as well as one of her essays. Part III introduces Atwood to the study with a brief historical background and a comparison with Woolf; it also explores the technique as it appears in seven of Atwood's novels. The dissertation concludes with observations that connect Parts II and III, showing the way that Woolf and Atwood delineate existing boundaries and forge new frontiers through their use of metaphoric landscape.en_US
dc.language.isoenen_US
dc.publisherUniversity of St Andrews
dc.subject.lccPR6045.O72Z5L3
dc.subject.lcshWoolf, Virginia, 1882-1941en_US
dc.subject.lcshAtwood, Margaret, 1939-en_US
dc.titleMetaphoric landscape in the novels of Virginia Woolf and Margaret Atwooden_US
dc.typeThesisen_US
dc.type.qualificationlevelDoctoralen_US
dc.type.qualificationnameMPhil Master of Philosophyen_US
dc.publisher.institutionThe University of St Andrewsen_US


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