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dc.contributor.advisorChambers, Helen Elizabeth
dc.contributor.authorWhite, Michael James
dc.coverage.spatial299en_US
dc.date.accessioned2010-08-16T16:15:31Z
dc.date.available2010-08-16T16:15:31Z
dc.date.issued2010-06
dc.identifier.urihttp://hdl.handle.net/10023/969
dc.description.abstractThis thesis proposes a new view of space in Theodor Fontane’s writing as both a mode of literary expression and an object of literary inquiry: space serves a poetic function and is a thematic concern. The research draws on theories of literary space which focus on spatial structures and topographies, as well as those which provide critical tools for analysing individual passages of description, especially focalisation, which elucidates the influence of the viewing figure in the text. Significantly, the subjective experience of a perceptive observer is central to Fontane’s conception of aesthetic processes, and as a result, an analysis of spatial representation often uncovers reflexive discourses on art, its function and value. On the basis of this insight, this study provides new readings of a range of texts, including less well-established and non-fictional works, as well as recognised masterpieces. In Fontane’s local travelogues, the Wanderungen, the poetic function of space is rare, while many passages reflect on the environment’s potential significance. The early novels explore spatial representation as a means of constructing textual symbolism. Spatial representation in Vor dem Sturm functions as a strategy of relativisation; in Schach von Wuthenow and Graf Petöfy topographies and pregnant descriptions serve as commentaries on characters’ levels of awareness. The mature novels Irrungen Wirrungen and Unwiederbringlich explore the sources and practical implications of reading objects in the world as signs. Space retains its formal role, but the represented figural experience of the novels’ worlds becomes a vehicle for reflexive analysis of the world’s perceived meanings. Similarly, in Der Stechlin different types of relationships with exterior reality are expressed spatially, and, as elsewhere, the capacity for aesthetic appreciation is represented positively. This entails and indeed produces critical distance towards modernity: isolated Stechlin is a locus of poetry, a testament to literature’s importance and vitality.en_US
dc.language.isoenen_US
dc.publisherUniversity of St Andrews
dc.subjectTheodor Fontaneen_US
dc.subjectRealismen_US
dc.subjectSpaceen_US
dc.subjectDescriptionen_US
dc.subjectLandscapeen_US
dc.subjectTopographyen_US
dc.subjectFocalisationen_US
dc.subjectAestheticsen_US
dc.subject.lccPT1863.Z7W5
dc.subject.lcshFontane, Theodor, 1819-1898--Criticism and interpretationen_US
dc.subject.lcshSpace in literatureen_US
dc.titleThe theme and poetic function of space in Theodor Fontane's worksen_US
dc.typeThesisen_US
dc.type.qualificationlevelDoctoralen_US
dc.type.qualificationnamePhD Doctor of Philosophyen_US
dc.publisher.institutionThe University of St Andrewsen_US


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