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dc.contributor.advisorHopps, Gavin
dc.contributor.authorBuchanan, Travis Walker
dc.coverage.spatialxvi, 339 p.en_US
dc.date.accessioned2015-11-27T09:32:57Z
dc.date.available2015-11-27T09:32:57Z
dc.date.issued2015-11-30
dc.identifier.urihttp://hdl.handle.net/10023/7860
dc.description.abstractThe thesis is organized as two sections of two chapters each: the first section establishes a theoretical framework of a broad and reinvigorated Christian sacramentality within which to situate the second—an investigation of the theories and practice of the mythopoeic art of C. S. Lewis and J. R. R. Tolkien in this sacramental light. The first chapter acknowledges the thoroughgoing disenchantment of modernity, an effect traced to the vanishing of a sacramental understanding of the world, and then explores the history of the sacramental concept that would seek to be reclaimed and reconceived as a possible means of the re-enchantment of Western culture such as in the recent work of David Brown. An appreciative critique of Brown’s work is offered in chapter two before proposing an alternative understanding of a distinctly Christian and reinvigorated sacramentality anchored in the Incarnation and operating by Transposition. A notion of sacramental vision is developed from the perceptual basis in its classic definitions, and a sacramental understanding of story is considered from a theological perspective on the infinite generativity of meaning in texts, along with recent theories of affect and affordance. The second half of the thesis expounds the views of mythopoeia held by Lewis and Tolkien in order to show how they are not only compatible with but lead to a sacramental understanding of story as developed in part one, with mythopoeia affording the recovery of a potentially transformative vision of reality, awakening it into focus in distinctly Christian ways (chapter three). The final chapter demonstrates how their mythopoeic theories are exemplified in their art, examining specific ways Till We Have Faces and The Lord of the Rings afford the recovery of a potentially transformative vision of various themes central to them. In closing it is suggested that such a sacramental understanding of story may contribute to the re-enchantment of Western culture, not to mention the re-mythologization and re-envisaging of Christianity, whose significance in these regards has been hitherto mostly unrecognized.en_US
dc.language.isoenen_US
dc.publisherUniversity of St Andrews
dc.subjectC. S. Lewisen_US
dc.subjectJ. R. R. Tolkienen_US
dc.subjectImaginationen_US
dc.subjectMythopoeiaen_US
dc.subjectTheology and imaginationen_US
dc.subjectTheology, imagination and the artsen_US
dc.subjectTheological aestheticsen_US
dc.subjectTheology and literatureen_US
dc.subjectDisenchantmenten_US
dc.subjectRe-enchantmenten_US
dc.subjectSacramentalityen_US
dc.subjectSacramental theologyen_US
dc.subjectSacramenten_US
dc.subjectStoryen_US
dc.subjectMyth-makingen_US
dc.subjectMythen_US
dc.subject.lccPR6023.E90Z5B83
dc.titleTruth incarnate : story as sacrament in the mythopoeic thought and fiction of C. S. Lewis and J. R. R. Tolkienen_US
dc.typeThesisen_US
dc.type.qualificationlevelDoctoralen_US
dc.type.qualificationnamePhD Doctor of Philosophyen_US
dc.publisher.institutionThe University of St Andrewsen_US
dc.rights.embargodate2025-10-28en_US
dc.rights.embargoreasonThesis restricted in accordance with University regulations. Print and electronic copy restricted until 28th October 2025


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