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dc.contributor.advisorPaterson, Don
dc.contributor.authorLawrence, Faith
dc.coverage.spatialix, 213 p.en_US
dc.date.accessioned2015-09-08T14:39:26Z
dc.date.available2015-09-08T14:39:26Z
dc.date.issued2015-11-30
dc.identifier.urihttp://hdl.handle.net/10023/7418
dc.description.abstractPart 1: ‘True Receivers’: Rilke and the Contemporary Poetics of Listening In this part of this thesis I argue that a contemporary ‘poetics of listening’ has emerged in the UK, and explore the writing of three of our most significant poets - John Burnside, Kathleen Jamie and Don Paterson - to find out why they have become interested in the idea of the poet as a ‘listener’. I suggest that the appeal of this listening stance accounts for their engagement with the poetry of Rainer Maria Rilke, who thought of himself as a listening ‘receiver’; it is proposed that Rilke’s notion of ‘receivership’ and the way his poems relate to the earthly (or the ‘non-human’) also account for the general ‘intensification’ of interest in his work. An exploration of the shifting status of listening provides context for this study, and I pay particular attention to the way innovations in audio and communications technology influenced Rilke’s late sequences the Duino Elegies and The Sonnets to Orpheus. A connection is made between Rilke’s ‘listening poetics’ and the ‘listening’ stance of Ted Hughes and Edward Thomas; this establishes a ‘listening lineage’ for the contemporary poets considered in the thesis. I also suggest that there are intriguing similarities between the ideas of listening that are emerging in contemporary poetics and Hélène Cixous’ concept of ‘écriture féminine’. Exploring these similarities helps us to understand the implications of the stance of the poet-listener, which is a counter to the idea that as a writer you must ‘find your voice’. Finally, it is proposed that ‘a poetics of listening’ would benefit from an enriched taxonomy. Part 2 of the thesis is a collection of my poems entitled ‘Small Weather’.en_US
dc.language.isoenen_US
dc.publisherUniversity of St Andrews
dc.subjectListeningen_US
dc.subjectPoeticsen_US
dc.subjectRainer Maria Rilkeen_US
dc.subjectEcopoeticsen_US
dc.subjectDon Patersonen_US
dc.subjectKathleen Jamieen_US
dc.subjectJohn Burnsideen_US
dc.subjectEdward Thomasen_US
dc.subjectPhonographen_US
dc.subjectListening taxonomyen_US
dc.subjectSounden_US
dc.subjectHistory of listeningen_US
dc.subjectA poetics of listeningen_US
dc.subjectReceivershipen_US
dc.subjectHélène Cixousen_US
dc.subjectThe sonnets to Orpheusen_US
dc.subject'Finding your voice'en_US
dc.subjectMartin Heideggeren_US
dc.subjectMaurice Merleau-Pontyen_US
dc.subjectJean-Luc Nancyen_US
dc.subjectEmbarrassmenten_US
dc.subjectDuino elegiesen_US
dc.subjectPrimal sounden_US
dc.subjectTed Hughesen_US
dc.subject.lccPN1042.L288
dc.subject.lcshPoeticsen_US
dc.subject.lcshListening in literatureen_US
dc.subject.lcshRilke, Rainer Maria, 1875-1926--Criticism and interpretationen_US
dc.subject.lcshBurnside, John, 1955- --Criticism and interpretationen_US
dc.subject.lcshJamie, Kathleen, 1962- --Criticism and interpretationen_US
dc.subject.lcshPaterson, Don, 1963- --Criticism and interpretationen_US
dc.titlePart 1: Thesis : 'True receivers' : Rilke and the contemporary poetics of listening ; Part 2: Poems : Small weatheren_US
dc.typeThesisen_US
dc.contributor.sponsorArts and Humanities Research Council (AHRC)en_US
dc.type.qualificationlevelDoctoralen_US
dc.type.qualificationnamePhD Doctor of Philosophyen_US
dc.publisher.institutionThe University of St Andrewsen_US
dc.rights.embargodatePrint and electronic copy restricted until 14th August 2020en_US
dc.rights.embargoreasonThesis restricted in accordance with University regulationsen_US


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