The sacred–secular distinction in music during the eighteenth and nineteenth centuries in Austria and Bavaria
MetadataShow full item record
This thesis explores the sacred–secular distinction in the musical life of Austria and Bavaria during the eighteenth and nineteenth century with particular focus on its legitimacy and feasibility. It examines the attempts made by Joseph II of Austria to separate sacred and secular sphere by banning secular music from the church and finds them to have failed. Joseph’s endeavours are compared to those of the Cecilian Movement, which, although similar in their aim, are found to be motivated very differently, yet equally unsuccessful. A study of the rise of the public concert and choral societies points towards new loci for secular music as well as the spiritual experience of music. Finally Anton Bruckner is discussed as an example for filling old and new loci with a successful synthesis of sacred and secular, both in his lived life and his musical composition. Bringing sacred and secular together conforms to the natural state of Christian life in the world and bears the potential for mutual benefit which outweighs the presumed advantages of distinct lines of separation.
Thesis, MPhil Master of Philosophy
Items in the St Andrews Research Repository are protected by copyright, with all rights reserved, unless otherwise indicated.
Showing items related by title, author, creator and subject.
Roper, Amelie (University of St Andrews, 2017-06) - ThesisIn the early sixteenth century, the free imperial city of Augsburg in southern Germany played a vital role in the development of music printing with movable type north of the Alps. These technical advances impacted on ...
Pressure fields in the vicinity of brass musical instrument bells measured using a two dimensional grid array and comparison with multimodal models Kemp, Jonathan Andrew; Lopez-Carromero, Amaya; Campbell, Murray (International Institute of Acoustics and Vibration, 2017) - Conference itemBrass musical instruments act as a source of spherical waves for low frequencies while at higher frequencies the directivity produces a diffracting beam. The directivity and radius of the wavefronts (and therefore the ...
The physics of unwound and wound strings on the electric guitar applied to the pitch intervals produced by tremolo/vibrato arm systems Kemp, Jonathan Andrew (2017-09-21) - Journal articleThe physics of wound and unwound strings on the electric guitar are presented here, and the pitch intervals produced by the movements of a Fender Stratocaster tremolo unit are explained. Predicted changes in pitch sensitivity ...