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dc.contributor.advisorCulpin, D. J.
dc.contributor.advisorEvans, David Elwyn
dc.contributor.authorMargrave, Christie L.
dc.coverage.spatial259en_US
dc.date.accessioned2015-03-27T12:34:37Z
dc.date.available2015-03-27T12:34:37Z
dc.date.issued2015-06-25
dc.identifier.urihttp://hdl.handle.net/10023/6391
dc.description.abstractOn account of their supposed link to nature, women in post-revolutionary France were pigeonholed into a very restrictive sphere that centred around domesticity and submission to their male counterparts. Yet this thesis shows how a number of women writers – Cottin, Genlis, Krüdener, Souza and Staël – re-appropriate nature in order to reclaim the voice denied to them and to their sex by the society in which they lived. The five chapters of this thesis are structured to follow a number of critical junctures in the life of an adult woman: marriage, authorship, motherhood, madness and mortality. The opening sections to each chapter show why these areas of life generated particular problems for women at this time. Then, through in-depth analysis of primary texts, the chapters function in two ways. They examine how female novelists craft natural landscapes to expose and comment on the problems male-dominant society causes women to experience in France at this time. In addition, they show how female novelists employ descriptions of nature to highlight women’s responses to the pain and frustration that social issues provoke for them. Scholars have thus far overlooked the natural settings within the works of female novelists of the late eighteenth and early nineteenth centuries. Yet, a re-evaluation of these natural settings, as suggested by this thesis, brings a new dimension to our appreciation of the works of these women writers and of their position as critics of contemporary society. Ultimately, an escape into nature on the part of female protagonists in these novels becomes the means by which their creators confront the everyday reality faced by women in the turbulent socio-historical era which followed the Revolution.en_US
dc.language.isoenen_US
dc.publisherUniversity of St Andrews
dc.rightsCreative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectWomenen_US
dc.subjectNatureen_US
dc.subjectFranceen_US
dc.subjectNovelen_US
dc.subjectEighteenth centuryen_US
dc.subjectNineteenth centuryen_US
dc.subjectGenderen_US
dc.subjectLandscapeen_US
dc.subjectSpaceen_US
dc.subjectDeathen_US
dc.subjectBereavementen_US
dc.subjectIntertextualityen_US
dc.subjectMotherhooden_US
dc.subjectMadnessen_US
dc.subjectMarriageen_US
dc.subject.lccPQ648.M28
dc.subject.lcshFrench fiction--Women authors--History and criticismen_US
dc.subject.lcshFrench fiction--18th century--History and criticismen_US
dc.subject.lcshFrench fiction--19th century--History and criticismen_US
dc.subject.lcshWomen and literature--France--History--18th centuryen_US
dc.subject.lcshWomen and literature--France--History--19th centuryen_US
dc.subject.lcshWomen in literatureen_US
dc.subject.lcshNature in literatureen_US
dc.titleWomen and nature in the works of French female novelists, 1789-1815en_US
dc.typeThesisen_US
dc.contributor.sponsorUniversity of St Andrews. School of Modern Languagesen_US
dc.type.qualificationlevelDoctoralen_US
dc.type.qualificationnamePhD Doctor of Philosophyen_US
dc.publisher.institutionThe University of St Andrewsen_US
dc.rights.embargodateElectronic copy restricted until 18th December 2019. Appendix IV restricted permanentlyen_US
dc.rights.embargoreasonThesis restricted in accordance with University regulationsen_US


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Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Except where otherwise noted within the work, this item's license for re-use is described as Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International