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dc.contributor.advisorPurdie, Rhiannon
dc.contributor.authorCole, Chera A.
dc.coverage.spatial257en_US
dc.date.accessioned2015-03-27T11:50:39Z
dc.date.available2015-03-27T11:50:39Z
dc.date.issued2014-06-24
dc.identifier.urihttp://hdl.handle.net/10023/6388
dc.description.abstractThis thesis, ‘Fairy in Middle English romance’, aims to contribute to the recent resurgence of interest in the literary medieval supernatural by studying the concept of ‘fairy’ as it is presented in fourteenth- and fifteenth-century Middle English romances. This thesis is particularly interested in how the use of ‘fairy’ in Middle English romances serves as an arena in which to play out ‘thought-experiments’ that test anxieties about faith, gender, power, and death. The first chapter considers the concept of fairy in its medieval Christian context by using the romance Melusine as a case study to examine fairies alongside medieval theological explorations of the nature of demons. The thesis then examines the power dynamic of fairy/human relationships and the extent to which having one partner be a fairy affects these explorations of medieval attitudes toward gender relations and hierarchy. The third chapter investigates ‘fairy-like’ women enchantresses in romance and the extent to which fairy is ‘performed’ in romance. The fourth chapter explores the location of Faerie and how it relates as an alternative ‘Otherworld’ to the Christian Otherworlds of Paradise, Purgatory, Heaven, and Hell. The final chapter continues to examine geography by considering the application of Avalon and whether Avalon can be read as a ‘land of fairies’. By considering the etymological, spiritual, and gendered definitions of ‘fairy’, my research reveals medieval attitudes toward not only the Otherworld, but also the contemporary medieval world. In doing so, this thesis provides new readings of little-studied medieval texts, such as the Middle English Melusine and Eger and Grime, as well as reconsider the presence of religious material and gender dynamics in medieval romance. This thesis demonstrates that by examining how fairy was used in Middle English romance, we can see how medieval authors were describing their present reality.en_US
dc.language.isoenen_US
dc.publisherUniversity of St Andrews
dc.relationSir Orfeoen_US
dc.relationMelusineen_US
dc.relationSir Launfalen_US
dc.relationSir Degareen_US
dc.relationEger and Grimeen_US
dc.relationPartonope of Bloisen_US
dc.relationLe Morte D'arthuren_US
dc.rightsCreative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectMiddle English romanceen_US
dc.subjectMedieval literatureen_US
dc.subjectFairyen_US
dc.subjectFairiesen_US
dc.subjectBritish literatureen_US
dc.subjectMedieval romanceen_US
dc.subject.lccPR255.C7
dc.subject.lcshRomances, English--History and criticismen_US
dc.subject.lcshEnglish literature--Middle English, 1100-1500--History and criticismen_US
dc.subject.lcshFairies in literatureen_US
dc.subject.lcshMelusine (Legendary character)--Romances--History and criticismen_US
dc.title'Fairy' in Middle English romanceen_US
dc.typeThesisen_US
dc.type.qualificationlevelDoctoralen_US
dc.type.qualificationnamePhD Doctor of Philosophyen_US
dc.publisher.institutionThe University of St Andrewsen_US


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