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dc.contributor.authorWhiteside, Bethany
dc.coverage.spatial16en_US
dc.date.accessioned2014-10-29T16:24:17Z
dc.date.available2014-10-29T16:24:17Z
dc.date.issued2014-06-13
dc.identifier.citationWhiteside, B. (2014). Intersections between the academic and ‘real’ worlds of dance at the British Dance Edition 2014: a report. Scottish Journal of Performance, 1(2), pp. 91–106.en_US
dc.identifier.issn2054-1961en_US
dc.identifier.urihttp://hdl.handle.net/10023/5599
dc.description.abstractThe Gleneagles Ryder Cup and Glasgow Commonwealth Games may be yet to come, but 2014 in Scotland launched with the international biennale, British Dance Edition (BDE), the United Kingdom’s largest dance industry showcase. Running from 30 January to 2 February in Edinburgh and Glasgow, and attracting almost 400 delegates from 40 countries, this was the first time that the event had taken place in Scotland.en_US
dc.language.isoenen_US
dc.publisherThe Royal Conservatoire of Scotlanden_US
dc.relation.ispartofScottish Journal of Performanceen_US
dc.rightsThis work is licensed under a Creative Commons Attribution 4.0 International License.en_US
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.subjectDance historyen_US
dc.subjectLiz Lermanen_US
dc.subjectModern balleten_US
dc.subjectDance as texten_US
dc.subjectDance educationen_US
dc.subject.lccPN1576en_US
dc.subject.lcshPerforming arts--Researchen_US
dc.subject.lcshDance--Researchen_US
dc.titleIntersections between the academic and ‘real’ worlds of dance at the British Dance Edition 2014: a reporten_US
dc.typeReporten_US
dc.description.versionPublisher PDFen_US
dc.publicationstatusPublisheden_US
dc.statusPeer revieweden_US
dc.identifier.doihttps://doi.org/10.14439/sjop.2014.0102.06en


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