Scottish Journal of Performance
The Scottish Journal of Performance is an open access refereed journal which aims to promote and stimulate discussion, development and dissemination of original research, focusing both on performance in Scotland (contemporary and historical) and / or wider aspects of performance presented by scholars and reflective practitioners based at Scottish academic institutions.
The journal can be found online at http://www.scottishjournalofperformance.org
This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge. This work is licensed under a Creative Commons Attribution 4.0 International License.
Recent Submissions
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Book Review: Musicians in the making: pathways to creative performance, edited by John Rink, Helena Gaunt, Aaron Williamon
(The Royal Conservatoire of Scotland, 2018-09-30) - Book reviewReview of: Musicians in the making: pathways to creative performance, edited by John Rink, Helena Gaunt, Aaron Williamon. Oxford: Oxford University Press, 2017; ISBN: 9780199346677 (£47.99) -
Book review: Gender, subjectivity, and cultural work: the classical music profession, by Christina Scharff
(The Royal Conservatoire of Scotland, 2018-09-30) - Book reviewReview of: Gender, subjectivity, and cultural work: the classical music profession, by Christina Scharff. London: Routledge, 2018; ISBN: 9781138942561 (hbk) (£105), ISBN: 9781315673080 (ebk) (£35.99) -
Book review: Reasons to be Graeae: a work in progress, edited by Jenny Sealey
(The Royal Conservatoire of Scotland, 2018-09-30) - Book reviewReview of: Reasons to be Graeae: a work in progress, edited by Jenny Sealey. London: Oberon Books Ltd, 2018; ISBN: 9781786823946 (£22.50) -
Interview: Trio HLK
(The Royal Conservatoire of Scotland, 2018-09-30) - Journal articleTrio HLK is an ensemble that draws on elements of jazz and contemporary classical music, and pushes the boundaries of both genres. They recently collaborated with Dame Evelyn Glennie (arguably the world’s foremost solo ... -
Practitioner report: I Gladly Strained My Eyes to Follow You: a guided tour of Pollok House
(The Royal Conservatoire of Scotland, 2018-09-30) - Journal articleI Gladly Strained My Eyes to Follow You took the form of a guided tour of Pollok House focusing on a selection of portraits of women from the house's historically significant collection of art and artefacts. The tours, led ...