Royal Conservatoire of Scotland
The Royal Conservatoire of Scotland has offered research programmes leading to the awards of Doctor of Philosophy (PhD) and Master of Philosophy (MPhil) since 2000. Following an historic agreement, research degrees undertaken at the Royal Conservatoire are validated and awarded by the University of St Andrews, the third oldest university in the English speaking world. Research students matriculate at both the Royal Conservatoire and the University and therefore have access to the facilities of both institutions.
For more information please visit the Royal Conservatoire's Research Degrees home page.
This material is presented to ensure timely dissemination of scholarly and technical work. Copyright and all rights therein are retained by authors or by other copyright holders. All persons copying this information are expected to adhere to the terms and constraints invoked by each author's copyright. In most cases, these works may not be reposted without the explicit permission of the copyright holder.
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Recent Submissions
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Book review: It’s all allowed: the performances of Adrian Howells, edited by Deirdre Heddon and Dominic Johnson
(The Royal Conservatoire of Scotland, 2017-09-17) - Book reviewReview of: It’s all allowed: the performances of Adrian Howells, edited by Deirdre Heddon and Dominic Johnson. London: Live Art Development Agency and Bristol: Intellect, 2016; ISBN: 9781783205899 (£20.00) -
Book review: The kaleidoscope of women’s sounds in music of the late 20th and early 21st centuries, by Kheng K. Koay
(The Royal Conservatoire of Scotland, 2017-09-17) - Book reviewReview of: The kaleidoscope of women’s sounds in music of the late 20th and early 21st centuries, by Kheng K. Koay. Newcastle upon Tyne: Cambridge Scholars Publishing, 2015; ISBN: 9781443876520 (£54.30) -
Book review: British theatre companies: from fringe to mainstream, edited by Graham Saunders and John Bull
(The Royal Conservatoire of Scotland, 2017-09-17) - Book reviewReview of: British theatre companies: 1965–1979. CAST, The People Show, Portable Theatre, Pip Simmons Theatre Group, Welfare State International, 7:84 Theatre Companies, edited by John Bull. London: Bloomsbury Methuen ... -
Book review: Semiotics and pragmatics of stage improvisation, by Domenico Pietropaolo
(The Royal Conservatoire of Scotland, 2017-09-17) - Book reviewReview of: Semiotics and pragmatics of stage improvisation, by Domenico Pietropaolo. London: Bloomsbury Academic, 2016; ISBN: 9781474225793 (£28.99) -
Identifying canons in competitive light music for the Great Highland Bagpipe, 1947–2015
(The Royal Conservatoire of Scotland, 2017-09-17) - Journal articleCompetitions for players of the Scottish Great Highland Bagpipe are regarded by many pipers and enthusiasts as the pinnacle of the art form, though some pipers who participate in these competitions have identified a trend ...
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