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dc.contributor.authorFletcher-Watson, Ben
dc.coverage.spatial26en_US
dc.date.accessioned2014-10-29T16:19:53Z
dc.date.available2014-10-29T16:19:53Z
dc.date.issued2014-06-13
dc.identifier.citationFletcher-Watson, B. (2014). From stage to screen: adapting a children's theatre production into a digital toy. Scottish Journal of Performance, 1(2), pp. 37–62.en_US
dc.identifier.issn2054-1961en_US
dc.identifier.urihttp://hdl.handle.net/10023/5590
dc.description.abstractThis photo essay explores the adaptation of the Scottish theatre for early years (TEY) production White into a transmedia digital toy. In 2013, Catherine Wheels Theatre Company commissioned an app developer, Hippotrix, to create an app for mobile tablet computers and smartphones inspired by the world of White. The paper outlines the process of creating White The App, including wire-framing, asset capture, sound recording, coding and prototyping. It also explores the impact of design decisions on dramaturgy and performativity, noting that digital media offer new possibilities for embracing non-linear storytelling while retaining key aspects of the live aesthetic.en_US
dc.language.isoenen_US
dc.publisherThe Royal Conservatoire of Scotlanden_US
dc.relation.ispartofScottish Journal of Performanceen_US
dc.rightsThis work is licensed under a Creative Commons Attribution 4.0 International License.en_US
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.subjectWhiteen_US
dc.subjectApp developmenten_US
dc.subjectiPaden_US
dc.subjectTheatre for early yearsen_US
dc.subject.lccPN1576en_US
dc.subject.lcshPerforming arts--Researchen_US
dc.subject.lcshTheater--Researchen_US
dc.titleFrom stage to screen: adapting a children's theatre production into a digital toyen_US
dc.typeJournal articleen_US
dc.description.versionPublisher PDFen_US
dc.publicationstatusPublisheden_US
dc.statusPeer revieweden_US
dc.identifier.doihttps://doi.org/10.14439/sjop.2014.0102.04en


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