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dc.contributor.advisorDelahunt, Meaghan
dc.contributor.authorLevey, Gregory
dc.coverage.spatial273en_US
dc.date.accessioned2012-10-05T08:26:43Z
dc.date.available2012-10-05T08:26:43Z
dc.date.issued2012-06-19
dc.identifier.urihttp://hdl.handle.net/10023/3166
dc.description.abstractThis thesis is comprised of a critical component and a creative component. The creative component consists of a portfolio of creative writing drawn from a fictionalized memoir, and the critical component consists of three interconnected chapters analyzing the creative component. The creative component, titled The Accidental Peacemaker, has been written alongside my recently published (and related) book, How to Make Peace in the Middle East in Six Months or Less Without Leaving Your Apartment. It is a satirical, first-person fictionalized memoir about how the Middle East conflict manifests in North America, told from the point of view of a North American Jewish narrator. The critical component contextualizes the creative component by situating it within the disparate genres of creative writing that inform it, and by exploring its descent from them. Together, the three critical chapters argue that the creative component stands at the intersection of life writing, North American Jewish Writing, and humourous political writing. The first critical chapter, on life writing, examines the overlaps between fiction and memoir, and argues, in part, that from a creative writer’s point of view, a sharp distinction is challenging to pinpoint. The second critical chapter, on North American Jewish writing, explores some efforts that have been made to determine what characteristics identify “Jewish writing,” and which identifying marks are germane to this particular piece of creative work. The third critical chapter, on humourous political writing, argues that humour and politics are particularly intertwined in North American writing and media today, and that by using humour and first-person life writing, an author can probe into sensitive political terrain without as much risk of needlessly offending as they might have if they used other approaches.en_US
dc.language.isoenen_US
dc.publisherUniversity of St Andrews
dc.rightsCreative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/
dc.subjectPoliticalen_US
dc.subjectHumouren_US
dc.subjectMemoiren_US
dc.subjectJewishen_US
dc.subjectMiddleen_US
dc.subjectEasten_US
dc.subject.lccPS374.A73L4en_US
dc.subject.lcshArab-Israeli conflict--1993- --Literature and the conflicten_US
dc.subject.lcshArab-Israeli conflict--1993- --Foreign public opinion, Americanen_US
dc.subject.lcshArab-Israeli conflict--1993- --Peace--Humoren_US
dc.subject.lcshBiography as a literary formen_US
dc.subject.lcshAmerican literature--Jewish authorsen_US
dc.subject.lcshPolitical satire, Americanen_US
dc.subject.lcshMiddle East--In literatureen_US
dc.titleWriting and re-writing the Middle Easten_US
dc.typeThesisen_US
dc.type.qualificationlevelDoctoralen_US
dc.type.qualificationnamePhD Doctor of Philosophyen_US
dc.publisher.institutionThe University of St Andrewsen_US
dc.rights.embargodatePrint and electronic copy restricted until 16th May 2016en_US
dc.rights.embargoreasonThesis restricted in accordance with University regulationsen_US


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