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dc.contributor.advisorKeys, Roger
dc.contributor.authorDreyer, Nicolas D.
dc.coverage.spatial349en_US
dc.date.accessioned2011-07-14T15:21:48Z
dc.date.available2011-07-14T15:21:48Z
dc.date.issued2011-06-23
dc.identifieruk.bl.ethos.552587
dc.identifier.urihttp://hdl.handle.net/10023/1917
dc.description.abstractThe present work analyses the fiction of the post-Soviet Russian writers, Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurgin against the background of the notion of post-Soviet Russian postmodernism. In doing so, it investigates the usefulness and accuracy of this very notion, proposing that of ‘post-Soviet neo-modernism’ instead. Common critical approaches to post-Soviet Russian literature as being postmodern are questioned through an examination of the concept of postmodernism in its interrelated historical, social, and philosophical dimensions, and of its utility and adequacy in the Russian cultural context. In addition, it is proposed that the humorous and grotesque nature of certain post-Soviet works can be viewed as a creatively critical engagement with both the past, i.e. Soviet ideology, and the present, the socially tumultuous post-Soviet years. Russian modernism, while sharing typologically and literary-historically a number of key characteristics with Western modernism, was particularly motivated by a turning to the cultural repository of Russia’s past, and a metaphysical yearning for universal meaning transcending the perceived fragmentation of the tangible modern world. Continuing the older Russian tradition of resisting rationalism, and impressed by the sense of realist aesthetics failing the writer in the task of representing a world that eluded rational comprehension, modernists tended to subordinate artistic concerns to their esoteric convictions. Without appreciation of this spiritual dimension, semantic intention in Russian modernist fiction may escape a reader used to the conventions of realist fiction. It is suggested that contemporary Russian fiction as embodied in certain works by Sorokin, Tuchkov and Khurgin, while stylistically exhibiting a number of features commonly regarded as postmodern, such as parody, pastiche, playfulness, carnivalisation, the grotesque, intertextuality and self-consciousness, seems to resume modernism’s tendency to seek meaning and value for human existence in the transcendent realm, as well as in the cultural, in particular literary, treasures of the past. The closeness of such segments of post-Soviet fiction and modernism in this regard is, it is argued, ultimately contrary to the spirit of postmodernism and its relativistic and particularistic worldview. Hence the suggested conceptualisation of post-Soviet Russian fiction as ‘neo-modernist’.en_US
dc.language.isoenen_US
dc.publisherUniversity of St Andrews
dc.subjectPost-Soviet Russian literatureen_US
dc.subjectPostmodernismen_US
dc.subjectPost-Soviet neo-modernismen_US
dc.subjectPost-Soviet humouren_US
dc.subjectVladimir Sorokinen_US
dc.subjectVladimir Tuchkoven_US
dc.subjectAleksandr Khurginen_US
dc.subjectPost-Soviet Russian fictionen_US
dc.subjectRussian postmodernismen_US
dc.subject"Blue fat" ("Goluboe salo")en_US
dc.subjectPost-Soviet satireen_US
dc.subjectPost-Soviet use of skazen_US
dc.subjectRussian modernismen_US
dc.subjectPost-Soviet grotesqueen_US
dc.subjectTat'iana Tolstaia ("Kys'")en_US
dc.subjectPost-Soviet Russian writersen_US
dc.subjectVergangenheitsaufarbeitungen_US
dc.subjectComing to terms with the Soviet pasten_US
dc.subjectRussian conceptualismen_US
dc.subjectThe Russian absurden_US
dc.subjectLiterary deconstruction and parody of Soviet historyen_US
dc.subject.lcshRussian fiction--20th century--History and criticismen_US
dc.subject.lcshRussian fiction--21st century--History and criticismen_US
dc.subject.lcshSorokin, Vladimir, 1955- --Criticism and interpretationen_US
dc.subject.lcshTuchkov, Vladimir--Criticism and interpretationen_US
dc.subject.lcshKhurgin, Aleksandr--Criticism and interpretationen_US
dc.subject.lcshModernism (Literature)--Russia (Federation)en_US
dc.subject.lcshPostmodernism (Literature)--Russia (Federation)en_US
dc.subject.lcshHumor in literatureen_US
dc.subject.lcshPG3098.4D8
dc.title'Post-Soviet neo-modernism' : an approach to 'postmodernism' and humour in the post-Soviet Russian fiction of Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurginen_US
dc.typeThesisen_US
dc.type.qualificationlevelDoctoralen_US
dc.type.qualificationnamePhD Doctor of Philosophyen_US
dc.publisher.institutionThe University of St Andrewsen_US
dc.publisher.departmentDepartment of Russianen_US
dc.rights.embargodate2018-06-30en_US
dc.rights.embargoreasonThesis restricted in accordance with University regulations. Electronic version restricted until 30th June 2018en_US


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