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dc.contributor.authorHollingworth, Lucy
dc.coverage.spatial5en_US
dc.date.accessioned2019-04-22T10:51:53Z
dc.date.available2019-04-22T10:51:53Z
dc.date.issued2018-09-30
dc.identifier.citationHollingworth, L. (2018). Book review: Gender, subjectivity, and cultural work: the classical music profession, by Christina Scharff. Scottish Journal of Performance, 5(2), pp. 107–111en_US
dc.identifier.issn2054-1961en_US
dc.identifier.urihttp://doi.org/10.14439/sjop.2018.0502.07en_US
dc.identifier.urihttp://hdl.handle.net/10023/17572
dc.description.abstractReview of: Gender, subjectivity, and cultural work: the classical music profession, by Christina Scharff. London: Routledge, 2018; ISBN: 9781138942561 (hbk) (£105), ISBN: 9781315673080 (ebk) (£35.99)en_US
dc.language.isoenen_US
dc.publisherThe Royal Conservatoire of Scotlanden_US
dc.relation.ispartofScottish Journal of Performanceen_US
dc.rightsAttribution 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.subject.lccPN1576en_US
dc.subject.lcshPerforming arts--Researchen_US
dc.subject.lcshMusic--Researchen_US
dc.titleBook review: Gender, subjectivity, and cultural work: the classical music profession, by Christina Scharffen_US
dc.typeBook reviewen_US
dc.description.versionPublisher PDFen_US
dc.publicationstatusPublisheden_US
dc.statusPeer revieweden_US


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    Except where otherwise noted within the work, this item's license for re-use is described as Attribution 4.0 International