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Interview: Trio HLK
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dc.contributor.author | Redman, Benjamin | |
dc.coverage.spatial | 17 | en_US |
dc.date.accessioned | 2019-04-22T10:50:42Z | |
dc.date.available | 2019-04-22T10:50:42Z | |
dc.date.issued | 2018-09-30 | |
dc.identifier.citation | Redman, B. (2018). Interview: Trio HLK. Scottish Journal of Performance, 5(2), pp. 85–101 | en_US |
dc.identifier.issn | 2054-1961 | en_US |
dc.identifier.uri | http://doi.org/10.14439/sjop.2018.0502.05 | en_US |
dc.identifier.uri | https://hdl.handle.net/10023/17570 | |
dc.description.abstract | Trio HLK is an ensemble that draws on elements of jazz and contemporary classical music, and pushes the boundaries of both genres. They recently collaborated with Dame Evelyn Glennie (arguably the world’s foremost solo classical percussionist) and Dr Steve Lehman (contemporary jazz saxophonist and Guggenheim Fellow) on their debut album recording, Standard time. The trio launched Standard time at a concert featuring Evelyn Glennie at the Queen’s Hall, Edinburgh, on 13 May 2018. This article is based on extracts from an interview conducted several days after the concert with Richard Harrold and Richard Kass, in which they discussed a wide range of topics, including their rehearsal and compositional processes, collaborations, performing, and development as an ensemble. | en_US |
dc.language.iso | en | en_US |
dc.publisher | The Royal Conservatoire of Scotland | en_US |
dc.relation.ispartof | Scottish Journal of Performance | en_US |
dc.rights | Attribution 4.0 International | * |
dc.rights.uri | http://creativecommons.org/licenses/by/4.0/ | * |
dc.subject.lcc | PN1576 | en_US |
dc.subject.lcsh | Performing arts--Research | en_US |
dc.subject.lcsh | Music--Research | en_US |
dc.title | Interview: Trio HLK | en_US |
dc.type | Journal article | en_US |
dc.description.version | https://doi.org/Publisher PDF | en_US |
dc.publicationstatus | Published | en_US |
dc.status | Peer reviewed | en_US |
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