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dc.contributor.advisorMackay, Peter
dc.contributor.authorLynch, Éadaoín
dc.coverage.spatialvi, 263 p.en_US
dc.description.abstractThis research aims to illuminate how and why war challenges the limits of poetic representation, through an analysis of non-combatant poetry of the Second World War. It is motivated by the question: how can one portray, represent, or talk about war? Literature on war poetry tends to concentrate on the combatant poets of the First World War, or their influence, while literature on the Second World War tends to focus on prose as the only expression of literary war experience. With a historicist approach, this thesis advances our understanding of both the Second World War, and our inherited notions of ‘war poetry,’ by parsing its historiography, and investigating the role critical appraisals have played in marginalising this area of poetic response. This thesis examines four poets as case studies in this field of research—W.H. Auden, Louis MacNeice, Dylan Thomas, and Stevie Smith—and evaluates them on both their individual explorations of poetic tone, faith systems, linguistic innovations, subversive performativity, and their collective trajectory towards a commitment to represent the war in their poetry. The findings from this research illustrate how too many critical appraisals have minimised or misrepresented Second World War poetry, and how the poets responded with a self-reflexivity that bespoke a deeper concern with how war is remembered and represented. The significance of these findings is breaking down the notion of objective fact in poetic representations of war, which are ineluctably subjective texts. These findings also offer insight into the ‘failure’ of poetry to represent war as a necessary part of war representation and prompt a rethinking of who has the ‘right’ experience—or simply the right—to talk about war.en_US
dc.publisherUniversity of St Andrews
dc.subjectWar poetryen_US
dc.subjectSecond World Waren_US
dc.subjectFirst World Waren_US
dc.subjectSecond World War poetryen_US
dc.subjectPoetic representationen_US
dc.subjectNon-combatant poetryen_US
dc.subjectPoetic influenceen_US
dc.subjectWar experienceen_US
dc.subjectPoetic toneen_US
dc.subjectEthics of representationen_US
dc.subjectWar representationen_US
dc.subject.lcshWar poetry, English--History and criticismen
dc.subject.lcshEnglish poetry--20th century--History and criticismen
dc.subject.lcshWorld War, 1939-1945--Poetryen
dc.subject.lcshWorld War, 1914-1918--Poetryen
dc.subject.lcshCivilians in waren
dc.subject.lcshAuden, W. H.|q(Wystan Hugh), 1907-1973--Criticism and interpretationen
dc.subject.lcshMacNeice, Louis, 1907-1963--Criticism and interpretationen
dc.subject.lcshThomas, Dylan, 1914-1953--Criticism and interpretationen
dc.subject.lcshSmith, Stevie, 1902-1971--Criticism and interpretationen
dc.title'This may be my war after all' : the non-combatant poetry of W.H. Auden, Louis MacNeice, Dylan Thomas, and Stevie Smithen_US
dc.contributor.sponsorBuchanan Scholarshipen_US
dc.contributor.sponsorUniversity of St Andrews. School of English. Professor A F Falconer PhD Scholarshipen_US
dc.type.qualificationnamePhD Doctor of Philosophyen_US
dc.publisher.institutionThe University of St Andrewsen_US

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