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dc.contributor.authorLiaci, Barbara
dc.coverage.spatialiv, 155 p.en_US
dc.date.accessioned2018-07-09T08:10:33Z
dc.date.available2018-07-09T08:10:33Z
dc.date.issued1996-07
dc.identifier.urihttps://hdl.handle.net/10023/15082
dc.description.abstractThe work is a study of Thomas Hardy's novels and their pervasively indefinite quality. It is focused upon five Wessex novels and the author's narrative choices. Each chapter is devoted to the textual analysis of a different novel with the common purpose of discovering Hardy's alternation between a definite and indefinite image of reality. The argument is that Hardy opposed the Victorian need to stereotype human beings, especially women, and tried to declare, though very quietly, their freedom from any type of categorization.en_US
dc.language.isoenen_US
dc.publisherUniversity of St Andrews
dc.subject.lccPR4757.N2L5
dc.subject.lcshHardy, Thomas, 1840-1928--Fictional worksen
dc.subject.lcshHardy, Thomas, 1840-1928--Criticism and interpretationen
dc.titleHardy's narrative art : technique and strategy in selected novelsen_US
dc.typeThesisen_US
dc.type.qualificationlevelMastersen_US
dc.type.qualificationnameMPhil Master of Philosophyen_US
dc.publisher.institutionThe University of St Andrewsen_US


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