Show simple item record

Files in this item

Thumbnail

Item metadata

dc.contributor.authorDriskill, Richard T.
dc.coverage.spatial343 p.en_US
dc.date.accessioned2018-07-03T09:21:49Z
dc.date.available2018-07-03T09:21:49Z
dc.date.issued1995-07
dc.identifier.urihttp://hdl.handle.net/10023/14828
dc.description.abstractThis dissertation studies certain similarities between some early Bildungsroman of D. H. Lawrence and André Gide. In Lawrence's Sons and Lovers and The Rainbow, and Gide's L'lmmoraliste and La Porte étroite, the authors explore the destructive effects of cultural "Icons", narrowly codified gender roles, upon sensitive young European women at the turn of the century. Through an intricate subtext of allusive imagery, postures, language, and "mythical" patterns, Lawrence and Gide imply that a patristic Christianity had somehow enlisted certain strains of Romance to fashion a pervasive cultural code that encouraged young women to be virginal, passive, and receptive to suffering. The young female protagonists look to their roles as Madonna, Maiden, and Martyr as an escape from a provincial world that offers little to their "over brimming" souls. Ironically, it is their Knight-Christs, the "mentors" who propose to teach them about the higher world, who imprison them further. Pretending to elevate them to the status of Spiritual Muse to inspire the male quest for selfhood, the lovers demand of their Madonna-Maidens a passivity whereby suffering is their only "heroic" act. Male-sculpted models of femininity, then, make it impossible for young women to pursue their own quests for the authentic "self". The final tragedy for the young women comes when their opposite numbers awaken from Romance's pregenital spring to what Lawrence calls "blood-consciousness". The Maidens' Knight-Christs now find restrictive their spiritual lovers and desire instead the initiation into the "flesh" preached by a new cultural code, that of Nietzsche et al. Lawrence's and Gide's young female characters, then, serve as exemplars of an entire generation of young women destroyed in this teleological shift to a new cultural ethos, one in which, suddenly, their "virtues" are judged vices, all they had been presented to them as "natural" is deemed "unnatural".en_US
dc.language.isoenen_US
dc.publisherUniversity of St Andrews
dc.subject.lccPN3352.F3D8
dc.subject.lcshFiction--20th century--History and criticismen
dc.subject.lcshWomen in literature--20th centuryen
dc.subject.lcshGide, André, 1869-1951en
dc.subject.lcshLawrence, D. H. (David Herbert), 1885-1930en
dc.titleMadonna, maiden and martyr : models of femininity in some early works of André Gide and D. H. Lawrenceen_US
dc.typeThesisen_US
dc.type.qualificationlevelDoctoralen_US
dc.type.qualificationnamePhD Doctor of Philosophyen_US
dc.publisher.institutionThe University of St Andrewsen_US


This item appears in the following Collection(s)

Show simple item record