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dc.contributor.advisorHart, Trevor A.
dc.contributor.authorMatson, Cole C. E.
dc.coverage.spatial[6], 252 p.en_US
dc.date.accessioned2017-11-06T15:17:16Z
dc.date.available2017-11-06T15:17:16Z
dc.date.issued2016-06-21
dc.identifier.urihttp://hdl.handle.net/10023/12006
dc.description.abstractThis thesis explores the use of eucharistic language in the theatre theories of three different mid-20th-century Polish theatre companies--the Reduta Theatre, the Rhapsodic Theatre, and the Laboratory Theatre--especially as expressed in the writings of their respective primary founders: Juliusz Osterwa, Mieczysław Kotlarczyk, and Jerzy Grotowski. The thesis also describes how the Rhapsodic and Laboratory Theatres inherited different elements of the Reduta tradition, and how those two diverging branches of the Reduta's legacy have affected contemporary theatre. In addition, the thesis examines how different 20th-century theatre theorists have related the eucharist to theatre, and evaluates the legitimacy of the claim that religious rituals such as the eucharist can and ought to be replaced by secular theatrical rituals. Special attention is paid to Carl Lavery's three views of the sacred: secular, theological, and a/theological. Alexander Schmemann's conception of the eucharist is used to correct Lavery's presentation of the theological sacred and to argue for the possibility of a Christian sacred theatre, or a "eucharistic theatre." The thesis defines the concept of a eucharistic theatre; demonstrates the extent to which the Reduta, Rhapsodic, and Laboratory Theatres meet this definition; and suggests some ways in which a eucharistic theatre may be created today.en_US
dc.language.isoenen_US
dc.publisherUniversity of St Andrews
dc.subjectReduta Theatreen_US
dc.subjectRhapsodic Theatreen_US
dc.subjectLaboratory Theatreen_US
dc.subjectJuliusz Osterwaen_US
dc.subjectMieczysław Kotlarczyken_US
dc.subjectJerzy Grotowskien_US
dc.subjectKarol Wojtyłaen_US
dc.subjectJohn Paul IIen_US
dc.subjectEucharisten_US
dc.subjectTheatreen_US
dc.subjectEucharistic theatreen_US
dc.subjectRitualen_US
dc.subject.lccPN2859.P6M28
dc.subject.lcshTheater--Religious aspects--Christianityen
dc.subject.lcshTheater--Poland--History--20th centuryen
dc.subject.lcshReduta (Theatrical company)en
dc.subject.lcshTeatr Rapsodyczny
dc.subject.lcshTeatr Laboratorium "13 Rzędów"
dc.titleTowards a eucharistic theatre : the theatrical theologies of the Reduta, the Rhapsodic Theatre, and Grotowski's Laben_US
dc.typeThesisen_US
dc.type.qualificationlevelDoctoralen_US
dc.type.qualificationnamePhD Doctor of Philosophyen_US
dc.publisher.institutionThe University of St Andrewsen_US
dc.rights.embargodate2021-05-17
dc.rights.embargoreasonThesis restricted in accordance with University regulations. Electronic copy restricted until 17th May 2021en


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