Towards a eucharistic theatre : the theatrical theologies of the Reduta, the Rhapsodic Theatre, and Grotowski's Lab
MetadataShow full item record
This thesis explores the use of eucharistic language in the theatre theories of three different mid-20th-century Polish theatre companies--the Reduta Theatre, the Rhapsodic Theatre, and the Laboratory Theatre--especially as expressed in the writings of their respective primary founders: Juliusz Osterwa, Mieczysław Kotlarczyk, and Jerzy Grotowski. The thesis also describes how the Rhapsodic and Laboratory Theatres inherited different elements of the Reduta tradition, and how those two diverging branches of the Reduta's legacy have affected contemporary theatre. In addition, the thesis examines how different 20th-century theatre theorists have related the eucharist to theatre, and evaluates the legitimacy of the claim that religious rituals such as the eucharist can and ought to be replaced by secular theatrical rituals. Special attention is paid to Carl Lavery's three views of the sacred: secular, theological, and a/theological. Alexander Schmemann's conception of the eucharist is used to correct Lavery's presentation of the theological sacred and to argue for the possibility of a Christian sacred theatre, or a "eucharistic theatre." The thesis defines the concept of a eucharistic theatre; demonstrates the extent to which the Reduta, Rhapsodic, and Laboratory Theatres meet this definition; and suggests some ways in which a eucharistic theatre may be created today.
Thesis, PhD Doctor of Philosophy
Embargo Date: 2021-05-17
Embargo Reason: Thesis restricted in accordance with University regulations. Electronic copy restricted until 17th May 2021
Items in the St Andrews Research Repository are protected by copyright, with all rights reserved, unless otherwise indicated.
Showing items related by title, author, creator and subject.
Divine reckonings in profane spaces: towards a theological dramaturgy for theatre, with special reference to the theo-drama of Hans Urs von Balthasar Khovacs, Ivan Patricio Morillo (University of St Andrews, 2007) - ThesisIf from God’s perspective ‘all the world’s a stage’, theology invites one to think and act according to the view afforded from this height. To speak theologically of a ‘world stage’ as many contemporary theologians have ...
Staging the Revolution : The Nosotros Theatre Group and the teatro proletario of the Second Republic O'Leary, Catherine (2017-07-01) - Journal articleThis article explores the importance of the agitprop proletarian theatre and, in particular, the Nosotros group (1932–34) in the attempt to define a new national identity during the Second Republic; it brings into the ...
Manucharyan, Tiran (University of St Andrews, 2019-06-27) - ThesisThis research explores the development of the discourse of power and the role in the development of this discourse of the arts and artists as dramatised in contemporary Egyptian theatre from 1967 to 2018. While Egyptian ...