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dc.contributor.advisorHibbert, Paul
dc.contributor.advisorGreig, Gail Jane
dc.contributor.authorGrahle, Christian René
dc.coverage.spatialxi, 289 p.en_US
dc.date.accessioned2017-10-17T14:32:21Z
dc.date.available2017-10-17T14:32:21Z
dc.date.issued2015-01
dc.identifier.urihttp://hdl.handle.net/10023/11868
dc.description.abstractThis thesis presents the results of research which investigated how creative processes in advertising agencies are organized and the role aesthetic understandings play therein. In-depth accounts describing how creative processes in advertising agencies are organized were not well characterized in the extant literature. This was surprising, given the confusion that existed about whether or not advertising practitioners share similar tastes. Whereas some research suggests highly homogenous taste patterns, other research, reporting about severe conflicts in advertising agencies, suggests that the contrary is true. Consequently, also research on taste-making processes and thus the ways through which tastes and collective action are negotiated was missing. This research aims to address these gaps in the literature by providing an in-depth account of the way specific practices creative processes are organized by analysing how practices and tastes interlink as well as by providing insights into the ways through which taste and collective action are sustained at advertising agencies. To do so, qualitative research at a leading London-based advertising agency was carried out over a period of five months. Two sets of practices by which the advertising creative processes were organized were identified. In addition, four types of tensions between both sets of practices and thus different tastes among advertising practitioners, depending on the practices in which they were immersed, were found. Moreover, ways in which tensions were resolved and thus how different tastes were negotiated were identified. By doing so, this research closes the above gaps in the literature and reveals that at advertising agencies’ creative processes and taste-making go hand in hand. Finally, practical insights for managers in the advertising industries, aiming to foster collective engagement, collaboration and conversations, and creative expression in creative advertising processes as well as suggestions for future research are offered.en_US
dc.language.isoenen_US
dc.publisherUniversity of St Andrews
dc.subject.lccHF5821.G72
dc.subject.lcshAdvertising agenciesen
dc.subject.lcshCreative ability in businessen
dc.subject.lcshCommercial aren
dc.subject.lcshAdvertising--Researchen
dc.titleOrganizing creativity : the role of aesthetic knowledge in advertising creative processesen_US
dc.typeThesisen_US
dc.contributor.sponsorUniversity of St Andrewsen_US
dc.contributor.sponsorHORIZONT-Foundationen_US
dc.contributor.sponsorThomas and Margaret Roddan Trusten_US
dc.contributor.sponsorScottish Graduate School of Social Science (SGSSS)en_US
dc.type.qualificationlevelDoctoralen_US
dc.type.qualificationnamePhD Doctor of Philosophyen_US
dc.publisher.institutionThe University of St Andrewsen_US


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