Book review: The kaleidoscope of women’s sounds in music of the late 20th and early 21st centuries, by Kheng K. Koay

dc.contributor.author	Hollingworth, Lucy
dc.date.accessioned	2017-10-04T11:51:39Z
dc.date.available	2017-10-04T11:51:39Z
dc.date.issued	2017-09-17
dc.identifier.citation	Hollingworth, L. (2017) Book review: The kaleidoscope of women’s sounds in music of the late 20th and early 21st centuries, by Kheng K. Koay. Scottish Journal of Performance, 4(1), pp. 109–113	en_US
dc.identifier.issn	2054-1961	en_US
dc.identifier.uri	https://doi.org/10.14439/sjop.2017.0401.08	en_US
dc.identifier.uri	https://hdl.handle.net/10023/11796
dc.description.abstract	Review of: The kaleidoscope of women’s sounds in music of the late 20th and early 21st centuries, by Kheng K. Koay. Newcastle upon Tyne: Cambridge Scholars Publishing, 2015; ISBN: 9781443876520 (£54.30)	en_US
dc.language.iso	en	en_US
dc.publisher	The Royal Conservatoire of Scotland	en_US
dc.relation.ispartof	Scottish Journal of Performance	en_US
dc.rights	Attribution 4.0 International	*
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/	*
dc.subject.lcc	PN1576	en_US
dc.subject.lcsh	Performing arts--Research	en_US
dc.subject.lcsh	Music--Research	en_US
dc.title	Book review: The kaleidoscope of women’s sounds in music of the late 20th and early 21st centuries, by Kheng K. Koay	en_US
dc.type	Book review	en_US
dc.description.version	Publisher PDF	en_US
dc.publicationstatus	Published	en_US
dc.status	Peer reviewed	en_US

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