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Book review: British theatre companies: from fringe to mainstream, edited by Graham Saunders and John Bull

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dc.contributor.authorFletcher-Watson, Ben
dc.date.accessioned2017-10-04T11:50:01Z
dc.date.available2017-10-04T11:50:01Z
dc.date.issued2017-09-17
dc.identifier.citationFletcher-Watson, B. (2017). Book review: British theatre companies: from fringe to mainstream, edited by Graham Saunders and John Bull. Scottish Journal of Performance, 4(1), pp. 101–108en_US
dc.identifier.issn2054-1961en_US
dc.identifier.urihttps://doi.org/10.14439/sjop.2017.0401.07en_US
dc.identifier.urihttps://hdl.handle.net/10023/11795
dc.description.abstractReview of: British theatre companies: 1965–1979. CAST, The People Show, Portable Theatre, Pip Simmons Theatre Group, Welfare State International, 7:84 Theatre Companies, edited by John Bull. London: Bloomsbury Methuen Drama, 2016; ISBN: 9781408175439 (£21.99). British theatre companies: 1980–1994. Joint Stock, Gay Sweatshop, Complicite, Forced Entertainment, Women's Theatre Group, Talawa, edited by Graham Saunders. London: Bloomsbury Methuen Drama, 2016; ISBN: 9781408175484 (£21.99). British theatre companies: 1995–2014. Mind the Gap, Kneehigh Theatre, Suspect Culture, Stan's Cafe, Blast Theory, Punchdrunk, edited by Liz Tomlin. London: Bloomsbury Methuen Drama, 2016; ISBN: 9781408177273 (£21.99)en_US
dc.language.isoenen_US
dc.publisherThe Royal Conservatoire of Scotlanden_US
dc.relation.ispartofScottish Journal of Performanceen_US
dc.rightsAttribution 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.subject.lccPN1576en_US
dc.subject.lcshPerforming arts--Researchen_US
dc.subject.lcshTheater--Researchen_US
dc.titleBook review: British theatre companies: from fringe to mainstream, edited by Graham Saunders and John Bullen_US
dc.typeBook reviewen_US
dc.description.versionhttps://doi.org/Publisher PDFen_US
dc.publicationstatusPublisheden_US
dc.statusPeer revieweden_US


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