Files in this item
Emerging peoples : Marubo myth-chants
Item metadata
dc.contributor.author | Werlang, Guilherme | |
dc.coverage.spatial | 499 p. | en_US |
dc.date.accessioned | 2017-06-30T11:27:07Z | |
dc.date.available | 2017-06-30T11:27:07Z | |
dc.date.issued | 2001 | |
dc.identifier | uk.bl.ethos.510810 | |
dc.identifier.uri | https://hdl.handle.net/10023/11121 | |
dc.description.abstract | This thesis explores the ontological grounds of the interrelations between music and myth among the Marubo, one of the several native peoples of the Pano linguistic family who live not far from the adventitious border between Brazil and Peru, in South Western Amazonia. The thesis lies within the disciplinary boundaries of social anthropology but, inasmuch as it focuses on myth and music, its theoretical and methodological limits overlap any discipline that may relate to these two themes. In brief, it portrays the Marubo as they express themselves and are themselves expressed in their saiti festivals and myth-chants. In their native language, saiti designates a specific festival where myths are performed in a specific musical and choreographic form, the form that establishes the ontological origins of these peoples and those of the world where they live. | en_US |
dc.language.iso | en | en_US |
dc.publisher | University of St Andrews | |
dc.subject.lcc | F2520.1M26W4 | |
dc.subject.lcsh | Maruba Indians--Rites and ceremonies | en |
dc.title | Emerging peoples : Marubo myth-chants | en_US |
dc.type | Thesis | en_US |
dc.type.qualificationlevel | Doctoral | en_US |
dc.type.qualificationname | PhD Doctor of Philosophy | en_US |
dc.publisher.institution | The University of St Andrews | en_US |
This item appears in the following Collection(s)
Items in the St Andrews Research Repository are protected by copyright, with all rights reserved, unless otherwise indicated.