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Interview: Tony Reekie
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dc.contributor.author | Fletcher-Watson, Ben | |
dc.coverage.spatial | 17 | en_US |
dc.date.accessioned | 2017-03-31T10:36:03Z | |
dc.date.available | 2017-03-31T10:36:03Z | |
dc.date.issued | 2016-06-28 | |
dc.identifier.citation | Fletcher-Watson, B. (2016). Interview: Tony Reekie. Scottish Journal of Performance, 3(1), pp. 79–95. | en_US |
dc.identifier.issn | 2054-1961 | en_US |
dc.identifier.uri | https://doi.org/10.14439/sjop.2016.0301.06 | en_US |
dc.identifier.uri | https://hdl.handle.net/10023/10563 | |
dc.description.abstract | In 2015, Tony Reekie stood down as Director of Imaginate, Scotland’s national art-form development organisation for theatre for young audiences. Tony had programmed the annual Imaginate Festival of performing arts for children and young people since 2000, bringing companies from around the world to Edinburgh each May to share their work. Prior to joining Imaginate in 1996, Tony worked with a host of well-known Scottish theatre companies, including 7:84, TAG and Visible Fictions. In this interview, he reflects on the changes he’s observed within children’s theatre over the past two decades. He discusses taboos, funding, art for babies, nationhood and theatre as a political act, presenting Scotland as a site of distinctive practices and aesthetic modalities. | en_US |
dc.language.iso | en | en_US |
dc.publisher | The Royal Conservatoire of Scotland | en_US |
dc.relation.ispartof | Scottish Journal of Performance | en_US |
dc.rights | Attribution 4.0 International | * |
dc.rights.uri | http://creativecommons.org/licenses/by/4.0/ | * |
dc.subject.lcc | PN1576 | en_US |
dc.subject.lcsh | Performing arts--Research | en_US |
dc.title | Interview: Tony Reekie | en_US |
dc.type | Journal item | en_US |
dc.description.version | https://doi.org/Publisher PDF | en_US |
dc.publicationstatus | Published | en_US |
dc.status | Non peer reviewed | en_US |
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