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dc.contributor.authorFletcher-Watson, Ben
dc.coverage.spatial17en_US
dc.date.accessioned2017-03-31T10:36:03Z
dc.date.available2017-03-31T10:36:03Z
dc.date.issued2016-06-28
dc.identifier.citationFletcher-Watson, B. (2016). Interview: Tony Reekie. Scottish Journal of Performance, 3(1), pp. 79–95.en_US
dc.identifier.issn2054-1961en_US
dc.identifier.urihttps://doi.org/10.14439/sjop.2016.0301.06en_US
dc.identifier.urihttps://hdl.handle.net/10023/10563
dc.description.abstractIn 2015, Tony Reekie stood down as Director of Imaginate, Scotland’s national art-form development organisation for theatre for young audiences. Tony had programmed the annual Imaginate Festival of performing arts for children and young people since 2000, bringing companies from around the world to Edinburgh each May to share their work. Prior to joining Imaginate in 1996, Tony worked with a host of well-known Scottish theatre companies, including 7:84, TAG and Visible Fictions. In this interview, he reflects on the changes he’s observed within children’s theatre over the past two decades. He discusses taboos, funding, art for babies, nationhood and theatre as a political act, presenting Scotland as a site of distinctive practices and aesthetic modalities.en_US
dc.language.isoenen_US
dc.publisherThe Royal Conservatoire of Scotlanden_US
dc.relation.ispartofScottish Journal of Performanceen_US
dc.rightsAttribution 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.subject.lccPN1576en_US
dc.subject.lcshPerforming arts--Researchen_US
dc.titleInterview: Tony Reekieen_US
dc.typeJournal itemen_US
dc.description.versionPublisher PDFen_US
dc.publicationstatusPublisheden_US
dc.statusNon peer revieweden_US


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