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dc.contributor.advisorMcPherson, Gordon
dc.contributor.authorButler, Thomas
dc.coverage.spatial490en_US
dc.date.accessioned2016-11-29T09:10:17Z
dc.date.available2016-11-29T09:10:17Z
dc.date.issued2016-12-01
dc.identifier.urihttp://hdl.handle.net/10023/9896
dc.descriptionElectronic version excludes material for which permission has not been granted by the rights holderen_US
dc.description.abstractThis thesis comprises six new musical works composed between 2008 and 2015: ‘Struction (how I attempted to get the thoughts in my head into your head using only five instruments, five instrumentalists, metronome sound and MIDI’) for amplified ensemble and pre-recorded soundtrack (2011); ‘My Life in Ventriloquism’ for solo clarinet and pre-recorded soundtrack (2012); ‘Nightmusic’ for solo violin (2012); ‘Replaceable Parts for the Irreplaceable You’ for ensemble, pre-recorded soundtrack and video (2013); ‘Espial’, a video work featuring string quartet (2014); and ‘Elbow Room’ for amplified ensemble, pre-recorded soundtrack and video (2014). The works are presented in this thesis as musical scores (and other performance materials), accompanied by audio-visual documentation of performances. As a whole, these compositions reflect a period of practice-as-research into the role of metapraxis in musical performance and how it can be used to help convey non-musical thought through instrumental music. A commentary on this portfolio of new compositions begins by discussing two influential works — Mauricio Kagel's ‘Match’ (1964) and ‘Failing: A Difficult Piece for Solo String Bass’ (1975) by Tom Johnson — before examining each new work in detail in order to explicate the research and creative processes that led to their composition, to exteriorize a personal working practice and to document the reflection-on-practice which has furthered this research. The commentary details how I was able to write music on a variety of topics, including authority, technology and place, and concludes with some ideas for further research.en_US
dc.language.isoenen_US
dc.subjectMusicen_US
dc.subjectCompositionen_US
dc.subjectMetapraxisen_US
dc.subjectPractice-as-researchen_US
dc.subjectPractice-based-researchen_US
dc.subjectPaRen_US
dc.subjectVentriloquismen_US
dc.subjectMulti-media compositionen_US
dc.titleComposition as the creation of a performance, music as a vehicle for non-musical thought : six new works.en_US
dc.typeThesisen_US
dc.type.qualificationlevelDoctoralen_US
dc.type.qualificationnamePhD Doctor of Philosophyen_US
dc.publisher.institutionThe University of St Andrewsen_US
dc.publisher.departmentRoyal Conservatoire of Scotlanden_US


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