Royal Conservatoire of Scotland: Recent submissions
Now showing items 51-55 of 123
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Book review: British theatre companies: from fringe to mainstream, edited by Graham Saunders and John Bull
(The Royal Conservatoire of Scotland, 2017-09-17) - Book reviewReview of: British theatre companies: 1965–1979. CAST, The People Show, Portable Theatre, Pip Simmons Theatre Group, Welfare State International, 7:84 Theatre Companies, edited by John Bull. London: Bloomsbury Methuen ... -
Book review: Semiotics and pragmatics of stage improvisation, by Domenico Pietropaolo
(The Royal Conservatoire of Scotland, 2017-09-17) - Book reviewReview of: Semiotics and pragmatics of stage improvisation, by Domenico Pietropaolo. London: Bloomsbury Academic, 2016; ISBN: 9781474225793 (£28.99) -
Identifying canons in competitive light music for the Great Highland Bagpipe, 1947–2015
(The Royal Conservatoire of Scotland, 2017-09-17) - Journal articleCompetitions for players of the Scottish Great Highland Bagpipe are regarded by many pipers and enthusiasts as the pinnacle of the art form, though some pipers who participate in these competitions have identified a trend ... -
Devolutionary sites: NVA, Grid Iron and Scottish site-specificity in the 1990s
(The Royal Conservatoire of Scotland, 2017-09-17) - Journal articleThe aim of this article is to analyse the ways in which the productions of Scottish site-specific companies NVA and Grid Iron responded to the main political processes in Scotland in the 1990s, such as devolution. NVA’s ... -
Practitioner report: The burning circle: (pre)history, performance and public engagement
(The Royal Conservatoire of Scotland, 2017-09-17) - Journal articleIn recent years, there has been a change of culture in the academic environment: researchers are now strongly encouraged to collaborate across disciplines and develop strategies to engage non-specialist publics with the ...