Royal Conservatoire of Scotland: Recent submissions
Now showing items 116-120 of 131
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Dance, class and the body: a Bourdieusian examination of training trajectories into ballet and contemporary dance
(The Royal Conservatoire of Scotland, 2014-06-13) - Journal articleThis article is a result of a small-scale interview-based study that explored the social conditions of ballet and contemporary dance production in the city of Glasgow. This study draws on interviews given by twelve ... -
From stage to screen: adapting a children's theatre production into a digital toy
(The Royal Conservatoire of Scotland, 2014-06-13) - Journal articleThis photo essay explores the adaptation of the Scottish theatre for early years (TEY) production White into a transmedia digital toy. In 2013, Catherine Wheels Theatre Company commissioned an app developer, Hippotrix, to ... -
Audience manipulation? Subverting the fourth wall in Pina Bausch’s Kontakthof (1978) and Nelken (1982)
(The Royal Conservatoire of Scotland, 2014-06-13) - Journal articlePina Bausch’s Tanztheater breaks everyday behaviour into its most elemental fragments, and fundamental aspects of stage etiquette are constantly challenged, not least the barrier between performer and spectator known as ... -
Home: the celebratory opening of the Kelpies at Helix Park, Falkirk
(The Royal Conservatoire of Scotland, 2014-06-13) - Journal articleAt the heart of Falkirk’s new Helix park, a reinvented green space to the west of Grangemouth oil refinery, stand two thirty-metre high statues. They are horses’ (Kelpies’) heads, the first bowed in a submissive, calm ... -
Editorial: Scottish Journal of Performance, Vol 1, Issue 2
(The Royal Conservatoire of Scotland, 2014-06-13) - Journal itemThis second issue of the Scottish Journal of Performance explores the past, present and future of performance, with papers addressing the legacy of Pina Bausch, the production of a performative iPad experience aimed at ...