Now showing items 91-95 of 131

    • Relaxed performance: audiences with autism in mainstream theatre 

      Fletcher-Watson, Ben (The Royal Conservatoire of Scotland, 2015-06-26) - Journal article
      Emerging less than a decade ago, ‘relaxed performances’ now take place at many theatres in the UK and USA. These events encourage attendance at mainstream productions by hitherto neglected audiences, particularly those ...
    • Practitioner report: running walls: the performance of the limit in prison 

      Maccagno, Paolo (The Royal Conservatoire of Scotland, 2015-06-26) - Report
      The limit to freedom, represented by the wall of the prison, is the limit to run to reach the finish-line of the marathon: run the limit! Training prisoners to run a marathon as a practice of the limit. Inside and outside ...
    • ‘I’m not really a clown’: critical reflection on a Clown Cabaret Scratch Night 

      Amsden, Lucy (The Royal Conservatoire of Scotland, 2015-06-26) - Journal article
      This article is a critical reflection on the Clown Cabaret Scratch Night at Assembly Roxy, 14 November 2014, organised by Plutôt la Vie and CloWnStePPing. It considers the variety of acts included in the show and how ...
    • Portfolio of original compositions 

      Gormley, John (2015-06-25) - Thesis
      This folio and accompanying commentary draw together my compositional work over the period of the PhD and plot the development and exploration of a number techniques which are to be found in varying degrees in each of the ...
    • From piano to stage : a genealogy of musical ideas in the piano works of Sergei Prokofiev (1900 – c.1920) 

      Guillaumier, Christina (2010) - Thesis
      This thesis is a study of Prokofiev's musical ideas as they emerge in his early writing for piano. It is concerned with elucidating the connections between Prokofiev's pianistic technique and his compositional technique. ...