Royal Conservatoire of Scotland: Recent submissions
Now showing items 116-120 of 124
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Book review: Practice as research in the arts: principles, protocols, pedagogies, resistances, by Robin Nelson
(The Royal Conservatoire of Scotland, 2013-12-13) - Book reviewBook review of: Practice as research in the arts: principles, protocols, pedagogies, resistances by Robin Nelson. Basingstoke: Palgrave Macmillan, 2013; ISBN 9781137282903 (£18.99) -
Book review: Our ancient national airs: Scottish song collecting from the Enlightenment to the Romantic era, by Karen McAulay
(The Royal Conservatoire of Scotland, 2013-12-13) - Book reviewBook review of: Our ancient national airs: Scottish song collecting from the Enlightenment to the Romantic era (Music in 19th-Century Britain) by Karen McAulay. Farnham: Ashgate, 2013; ISBN 9781409450191 (£60.00) -
Book review: Singing: personal and performance values in training, by Peter Harrison
(The Royal Conservatoire of Scotland, 2014-06-13) - Book reviewBook review of: Singing: personal and performance values in training, by Peter Harrison. Edinburgh: Dunedin Academic Press; ISBN 9781780460062 (£25.00) -
Developing professional equality: an analysis of a social movement in the Scottish dance industry
(The Royal Conservatoire of Scotland, 2013-12) - Journal articleThis article analyses the growth of professional equality in the Scottish dance industry. It defines the growth of professional equality as a social movement driven by a group of core and peripheral individuals and ... -
Re-reading Mary Wigman's Hexentanz II (1926): the influence of the non-Western 'Other' on movement practice in early modern 'German' dance
(The Royal Conservatoire of Scotland, 2013-12) - Journal articleThis paper provides a re-reading of Mary Wigman’s Hexentanz II (‘Witch Dance’, 1926), emphasising the social and aesthetic conditions in which she created dance works. A renewed interest in the idea of a return to nature ...