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dc.contributor.advisorDennis, Nigel
dc.contributor.authorTen Hacken, Hilde
dc.coverage.spatialvi, 279en
dc.date.accessioned2008-02-18T15:31:03Z
dc.date.available2008-02-18T15:31:03Z
dc.date.issued2007-11-30
dc.identifier.urihttp://hdl.handle.net/10023/421
dc.description.abstractBased on a comparative method of enquiry, this thesis analyses the process of self-definition expressed in the work of Gloria Fuertes (Madrid, 1917-1998) and Pilar Paz Pasamar (Jerez de la Frontera, 1933) as individual alternatives to the collective ethos and literary practices promoted within the patriarchal society of Franco’s Spain. Recognizing the poets’ cultural and socio-political context as determining factors in their experiences as women and poets, and therefore in their outlook and poetics, this context and how it is reflected in their poetry provides the starting point (Chapter 1). Both poets acknowledge that writing poetry can provide them with a metaphorical space of freedom that enables them to develop their identity and explore their preoccupations. Therefore, their thoughts about poetry provide an important theme that occurs in the poetry of both (Chapter 2). Closely related to this is the link they establish between poetic inspiration and the divine, which in the case of Pilar Paz Pasamar leads to the attempt to use the special qualities of poetic language to refer to a universal truth that she is aware of and which transcends the capabilities of language, while Gloria Fuertes regards poetry as a divine gift that can provide solace and is ultimately able to improve the world (Chapter 3). The fourth chapter focuses on specific elements of the two poets’ work that reveal the distinctive mechanisms of self-construction they develop. The section on Fuertes considers humour as a survival strategy that enables the poet to reach out to her readership and emphasize her focus on the here and now, while the discussion on Paz’s work looks at how the use of sea imagery allows her to convey abstract experiences based on introspection. Thus, it is argued that their poetry reflects the different strategies the two women develop – based on integration in the case of Fuertes and a more separate position in the case of Paz – to define themselves in relation to their world.en
dc.format.extent706760 bytes
dc.format.mimetypeapplication/pdf
dc.language.isoenen
dc.publisherUniversity of St Andrews
dc.subjectGloria Fuertesen
dc.subjectPilar Paz Pasamaren
dc.subjectSpanish post-war poetryen
dc.subjectWomen's writingen
dc.subject.lccPQ6177.H2
dc.subject.lcshSpanish poetry--Women authors--History and criticismen
dc.subject.lcshSpanish poetry--20th century--History and criticismen
dc.subject.lcshFuertes, Gloria--Criticism and interpretationen
dc.subject.lcshPaz Pasamar, Pilar, 1933- --Criticism and interpretationen
dc.titleSelf-definition through poetry in the work of Gloria Fuertes and Pilar Paz Pasamar in the period 1950-1970en
dc.typeThesisen
dc.type.qualificationlevelDoctoralen
dc.type.qualificationnamePhD Doctor of Philosophyen
dc.publisher.institutionThe University of St Andrewsen


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