Art History
School staff and students participate in University-wide research centres such as the St Andrews Institute of Mediaeval Studies and the Scottish Studies Network. Our principal strengths lie in the areas of medieval and Renaissance art, in European and American modernism, the history of photography, the decorative arts in Britain and Museum and Gallery Studies.
For more information please visit the School of Art History home page.
This material is presented to ensure timely dissemination of scholarly and technical work. Copyright and all rights therein are retained by authors or by other copyright holders. All persons copying this information are expected to adhere to the terms and constraints invoked by each author's copyright. In most cases, these works may not be reposted without the explicit permission of the copyright holder.
Collections in this community
Recent Submissions
-
Histories of the self : Anne-Lois Girodet and the Trioson portrait series
(2019) - Journal articleBetween 1797 and 1804, the French artist Anne-Louis Girodet-Trioson produced a series of portraits depicting a young boy, the son of the artist’s mentor Benoît-François Trioson. The paintings chart the development of a ... -
Touching the book again : the Passional of Abbess Kunigunde of Bohemia
(Harrassowitz Verlag, 2018-09-19) - Conference itemLate medieval readers sometimes interacted with manuscripts in highly physical ways, by rubbing and touching their books. Physical evidence from the books themselves—with signs of repeated abrasion—indicate that such ... -
Marginality and the experience of images in late Medieval England
(University of St Andrews, 2017-11-20) - ThesisThis thesis re-examines the art historiography of margins and marginality. It has long been recognized that the phenomenon of the marginal – characterized by hybrid forms, and playful scenes of secular subjects – occurred ... -
Exhibition review : Tightrope - Elias Sime (Addis Ababa, 2013)
(2014) - Journal item
RSS 1.0