Art History
School staff and students participate in University-wide research centres such as the St Andrews Institute of Mediaeval Studies and the Scottish Studies Network. Our principal strengths lie in the areas of medieval and Renaissance art, in European and American modernism, the history of photography, the decorative arts in Britain and Museum and Gallery Studies.
For more information please visit the School of Art History home page.
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Recent Submissions
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Some otherwhere : Édouard Glissant and the Caribbean landscape in contemporary art
(University of St Andrews, 2020-12-02) - ThesisOver the past two decades, Édouard Glissant’s writings have gained ever-increasing prominence in the fields of post-colonial theory, Caribbean studies, and Francophone literature. They have also been widely used in art and ... -
Opus anglicanum : the visual language, liturgical rituals, and gifting of a medieval English brand
(University of St Andrews, 2020-12-02) - ThesisIn 1246, when Pope Innocent IV saw embroidered copes and mitres which were made in England, he exclaimed; “England is for us surely a garden of delights, truly an inexhaustible well; and from there where so many things ... -
Peddie and Kinnear
(University of St Andrews, 2002-11-29) - ThesisThis thesis explores the architectural practice of John Dick Peddie and Charles Kinnear from Peddie's earliest known designs of 1844 to his withdrawal from the partnership in 1879. A detailed investigation has been made ... -
Light, intermediality, and sensory perception in Francis Bruguière's abstract photographs and films (1921-1936)
(University of St Andrews, 2020-06-25) - ThesisAbstract photographs were a key site of the re-evaluation of photography’s ontology between the First and Second World Wars, bringing to the forefront questions of objectivity, legibility and the photograph’s essential ... -
Putting the peripheral centre stage : performing modernism in interbellum Bucharest 1924-1934
(University of St Andrews, 2020-06-25) - ThesisThis thesis investigates how modernism manifested itself in applied arts and design in interbellum Bucharest, expanding the field of enquiry of the avant-garde outside two-dimensional production. The framework utilised is ...
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