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dc.contributor.advisorDonovan, Victoria
dc.contributor.advisorMurer, Jeffrey Stevenson
dc.contributor.authorTsymbalyuk, Darya
dc.coverage.spatialvi, 235 p.en_US
dc.date.accessioned2024-02-12T09:59:20Z
dc.date.available2024-02-12T09:59:20Z
dc.date.issued2022-06-17
dc.identifier.urihttps://hdl.handle.net/10023/29209
dc.description.abstractThis thesis explores narratives of displacement from Donbas, Ukraine as a series of multispecies ruptures. Focusing on human-plant relations in oral histories of internally displaced persons (IDPs), it foregrounds more-than-human aspects of migration. Engaging with theories in environmental humanities, the thesis examines them through a decolonial lens. Critical of tendencies to orientalise Eastern Europe and post-Soviet countries as spaces of ecological disasters, with Chornobyl being one of the most famous examples, this dissertation avoids fixating on the catastrophic by focusing on everyday (re)configurations of ruptured multispecies relations instead. Donbas is a (post)industrial region in the east of Ukraine, where a war broke out in 2014. Soviet industrialism and ongoing conflict resulted in extractivist treatment of Donbas and its human and more-than-human inhabitants. Closely examining legacies and repercussions of these violences, the thesis traces accounts alternative to the dominant representations of war, industrialisation and displacement. These accounts resist fossilfuelisation, a process of being turned into a resource by the industry or the war-machine. Stories analysed in this thesis subvert objectification by treating the Other, whether human or more-than-human, with care and attention. For example, the thesis looks at personal stories of engaging with coal and fossils, as well as at testimonies of moving plants from the conflict zone, or memories of encountering overgrown gardens and wilted houseplants in homes abandoned because of the war. The form of the dissertation, consisting of academic writing, drawings, and a screenplay, presents a decolonial approach to knowledge-making. The thesis presents a more ethical way of engaging with research, where the outcomes are disseminated in different languages (English, Ukrainian; visual, academic) and to different audiences (academic, non-academic), thereby destabilising hierarchies of knowledge production.en_US
dc.language.isoenen_US
dc.subject.lccJV8196.T8
dc.subject.lcshDonbas Odyssey Art Projecten
dc.subject.lcshUkraine--Emigration and immigrationen
dc.subject.lcshMigration, Internal--Donets Basin (Ukraine and Russia)en
dc.subject.lcshUkraine Conflict, 2014--Personal narrativesen
dc.subject.lcshHuman-plant relationshipsen
dc.subject.lcshDonets Basin (Ukraine and Russia)--Refugees--Interviewsen
dc.titleMultispecies ruptures : stories of displacement and human-plant relations from Donbas, Ukraineen_US
dc.typeThesisen_US
dc.contributor.sponsorUniversity of St Andrews. Douglas and Gordon Bonnyman Scholarshipen_US
dc.contributor.sponsorUniversity of St Andrews. School of Modern Languagesen_US
dc.type.qualificationlevelDoctoralen_US
dc.type.qualificationnamePhD Doctor of Philosophyen_US
dc.publisher.institutionThe University of St Andrewsen_US
dc.rights.embargodate2026-12-15
dc.rights.embargoreasonThesis restricted in accordance with University regulations. Restricted until 15th December 2026en
dc.identifier.doihttps://doi.org/10.17630/sta/748


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