Show simple item record

Files in this item

Thumbnail

Item metadata

dc.contributor.advisorHumfrey, Peter
dc.contributor.authorAshton, Anne M.
dc.coverage.spatial443en_US
dc.date.accessioned2012-06-07T08:57:34Z
dc.date.available2012-06-07T08:57:34Z
dc.date.issued2006
dc.identifieruk.bl.ethos.552716
dc.identifier.urihttp://hdl.handle.net/10023/2675
dc.description.abstractThe motif of the uncovered female breast is ubiquitous in art of all ages and cultures. Modern analysis of breast imagery tends to be biased by the sexual significance that breasts have now. However in Italian renaissance art the exposed breast appears in many different manifestations. The purpose of this thesis is to explore several specific types of breast iconography. The first chapter will examine images of Maria lactans, and consider the religious, cultural and psychological meaning held within the image and the social changes which were to lead to its loss of popularity. Chapter Two will consider the appearance of secular images of breastfeeding, particularly in the city-states of north Italy in the early Renaissance, and examine possible sociological reasons for the political use of the depiction of breast feeding. Other associated breast iconography will also be considered. Chapter Three will focus on images of the tortured breast, particularly depictions of St. Agatha suffering the removal of her breasts during martyrdom. Both the sacred and sado-sexual elements of such images will be examined. The fourth chapter will look at images of Lucretia. It will be examined why in so many cases artists chose to depict her with her breasts exposed (in contradiction to ancient sources) and with the dagger actually pointing at or embedded in her breast. It will be argued that the breast was used in art as external symbol of the female heart. The final chapter of the thesis will focus on paintings Cleopatra. Again, there is an even more marked contradiction to ancient sources when Cleopatra is depicted dying by a snakebite to the breast. A full-circle will be achieved in the contrast of paintings of Mary suckling Christ with images of Cleopatra apparently breastfeeding a snake.en_US
dc.language.isoenen_US
dc.publisherUniversity of St Andrews
dc.rightsCreative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/
dc.subject.lccN8217.B75A8
dc.subject.lcshBreast in arten_US
dc.subject.lcshBreastfeeding in arten_US
dc.subject.lcshArt, Renaissance--Italyen_US
dc.subject.lcshMary, Mother of Jesus Christ--Arten_US
dc.subject.lcshLucretia (Legendary character)--Arten_US
dc.subject.lcshCleopatra, Queen of Egypt, d. 30 B.C.--Arten_US
dc.titleInterpreting breast iconography in Italian art, 1250-1600en_US
dc.typeThesisen_US
dc.type.qualificationlevelDoctoralen_US
dc.type.qualificationnamePhD Doctor of Philosophyen_US
dc.publisher.institutionThe University of St Andrewsen_US


The following license files are associated with this item:

  • Creative Commons

This item appears in the following Collection(s)

Show simple item record

Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported
Except where otherwise noted within the work, this item's license for re-use is described as Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported