The University of St Andrews

Research@StAndrews:FullText >
Art History (School of) >
Art History >
Art History Theses >

Please use this identifier to cite or link to this item:
This item has been viewed 25 times in the last year. View Statistics

Files in This Item:

File Description SizeFormat
The full text of this document is not available.pdfPhD Thesis (placeholder)2.61 kBAdobe PDFView/Open
Title: Museum accountability in Britain and America : ethical standards and fiscal transparency in the twenty-first century
Authors: Groninger, Katherine R.
Supervisors: Gunn, Ann
Keywords: Museum
Public trust
Corporate governance
Sarbanes-Oxley Act
Combined Code
Issue Date: 30-Nov-2011
Abstract: This thesis examines the current state of nonprofit museum accountability in the United Kingdom and United States, assessing methods of achieving fiscal and ethical accountability, as well as the factors that have influenced museum codes and policies to that end. The recent development of museum accountability is couched in corporate culture, government influence, and public expectations, making it an interdisciplinary concern. Yet museum professionalisation, including codes of ethics, conflict of interest management, and agreed-upon standards, has received little attention from researchers. This study engages in empirical research to assess museums’ responses to recent regulations, their execution of governance accountability, and the application of internal controls and fiscal transparency measures. These subjects appraise ethical governance and board member duties, in addition to audit practices and best practice policies. Research reveals inadequacies in the museum accountability systems in both Britain and America. As case studies serve to demonstrate, opportunities remain for financial and ethical misconduct, which can damage the public trust in museums. This thesis is the first broad empirical study to explain museum accountability in Britain or America, collating data across the entire museum sector, creating an industry-wide national framework from the quantitative and qualitative findings. No research has reported on the implementation of best practice measures according to the private, public and third sectors, stakeholders, and by the museum industry itself. Ultimately, this thesis provides unique evidence previously lacking in both the UK and US museum sectors, making it possible to posit and assess specific museums against an accurate national accountability framework.
Other Identifiers:
Type: Thesis
Publisher: University of St Andrews
Appears in Collections:Art History Theses

This item is protected by original copyright

Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.


DSpace Software Copyright © 2002-2012  Duraspace - Feedback
For help contact: | Copyright for this page belongs to St Andrews University Library | Terms and Conditions (Cookies)