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dc.contributor.advisorFirnhaber-Baker, Justine
dc.contributor.advisorBildhauer, Bettina
dc.contributor.authorBernardazzi, Laura Giorgia
dc.coverage.spatial278 p.en_US
dc.date.accessioned2022-05-17T10:28:49Z
dc.date.available2022-05-17T10:28:49Z
dc.date.issued2022-06-16
dc.identifier.urihttp://hdl.handle.net/10023/25386
dc.description.abstractThis thesis offers a new and interdisciplinary approach to depictions of fighting in late medieval chivalric romances by combining Arthurian literary studies with the emergent field of Historical European Martial Arts studies. Introducing sources and disparate scholarship of the latter brings the attention to new research opportunities. Reading Arthurian romances produced in England, Languedoc, and Italy with the knowledge that emerges from (mostly German) medieval Fight Books is a rewarding approach with relevance for historians and literary scholars alike. From a historical perspective, the coded violence that emerges from connecting Arthurian texts with Fight Books demonstrates that there was a shared late medieval pan-European fighting practice. Its accurate technical knowledge was present both in romances from earlier in the period and in the somewhat later genre of Fight Books. Both genres circulated not only among the knightly class but also the middle urban class, thus demonstrating that not only nobles were privy to this information and that skilled fighting is much more than an aspect of chivalry. From a literary perspective, my research shows that how a fictional knight fights and the connection that this has to actual practical knowledge (as evinced from Fight Books) is essential for understanding the romances. Through portrayals of fighting and its aftermath, Off Arthour and of Merlin proves to be a romance about legitimacy and supremacy aimed at an audience of young fighters; attention to combat scenes completely overturns the accepted interpretation of Jaufre as a simple parody of Arthurian romances; and Tavola Ritonda portrays Tristan as the best knight through subtle and accurate combat descriptions that go beyond the common technical digressions of the romance.en_US
dc.language.isoenen_US
dc.publisherUniversity of St Andrews
dc.rightsCreative Commons Attribution-NonCommercial-NoDerivatives 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectMedieval historyen_US
dc.subjectComparative literatureen_US
dc.subjectHEMA studiesen_US
dc.subjectFight booksen_US
dc.subjectOff Arthour and of Merlinen_US
dc.subjectMiddle English literatureen_US
dc.subjectJaufreen_US
dc.subjectOccitan literatureen_US
dc.subjectTavola Ritondaen_US
dc.subjectMedieval Italian literatureen_US
dc.subjectMedieval German literatureen_US
dc.titleHow Arthurian knights fought : reading late medieval romances with fight booksen_US
dc.typeThesisen_US
dc.type.qualificationlevelDoctoralen_US
dc.type.qualificationnamePhD Doctor of Philosophyen_US
dc.publisher.institutionThe University of St Andrewsen_US
dc.rights.embargodate2026-11-15
dc.rights.embargoreasonThesis restricted in accordance with University regulations. Restricted until 15th November 2026en


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    Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
    Except where otherwise noted within the work, this item's licence for re-use is described as Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International