St Andrews Research Repository

St Andrews University Home
View Item 
  •   St Andrews Research Repository
  • Art History (School of)
  • Art History
  • Art History Theses
  • View Item
  •   St Andrews Research Repository
  • Art History (School of)
  • Art History
  • Art History Theses
  • View Item
  •   St Andrews Research Repository
  • Art History (School of)
  • Art History
  • Art History Theses
  • View Item
  • Login
JavaScript is disabled for your browser. Some features of this site may not work without it.

The lost Venetian church of Santa Maria Assunta dei Crociferi : form, decoration, and patronage

Thumbnail
View/Open
AllisonShermanPhDThesis.pdf (2.119Mb)
Date
24/06/2010
Author
Sherman, Allison M.
Keywords
Crociferi
Venice
Titian
Tintoretto
Architecture
Reconstruction
Metadata
Show full item record
Altmetrics Handle Statistics
Abstract
This dissertation reconstructs the original form and sixteenth-century decoration of the lost Venetian church of Santa Maria Assunta dei Crociferi, destroyed after the suppression of the Crociferi in 1656 to make way for the present church of the Gesuiti. The destruction of the church, the scattering of its contents, and the almost total lack of documentation of the religious order for which the space was built, has obscured our understanding of the many works of art it once contained, produced by some of the most important Venetian artists of the sixteenth century. This project seeks to correct scholarly neglect of this important church, and to restore context and meaning to these objects by reconstructing their original placement in the interest of a collective interpretation. Various types, patterns and phases of patronage at the church—monastic, private and corporate—are discussed to reveal interconnections between these groups, and to highlight to role of the Crociferi as architects of a sophisticated decorative programme that was designed to respond to the latest artistic trends, and to visually demonstrate their adherence to orthodoxy at a moment of religious upheaval and reform.
Type
Thesis, PhD Doctor of Philosophy
Description
Electronic version excludes images for which permission has not been granted by the rights holder
Collections
  • Art History Theses
URI
http://hdl.handle.net/10023/1021

Items in the St Andrews Research Repository are protected by copyright, with all rights reserved, unless otherwise indicated.

Advanced Search

Browse

All of RepositoryCommunities & CollectionsBy Issue DateNamesTitlesSubjectsClassificationTypeFunderThis CollectionBy Issue DateNamesTitlesSubjectsClassificationTypeFunder

My Account

Login

Open Access

To find out how you can benefit from open access to research, see our library web pages and Open Access blog. For open access help contact: openaccess@st-andrews.ac.uk.

Accessibility

Read our Accessibility statement.

How to submit research papers

The full text of research papers can be submitted to the repository via Pure, the University's research information system. For help see our guide: How to deposit in Pure.

Electronic thesis deposit

Help with deposit.

Repository help

For repository help contact: Digital-Repository@st-andrews.ac.uk.

Give Feedback

Cookie policy

This site may use cookies. Please see Terms and Conditions.

Usage statistics

COUNTER-compliant statistics on downloads from the repository are available from the IRUS-UK Service. Contact us for information.

© University of St Andrews Library

University of St Andrews is a charity registered in Scotland, No SC013532.

  • Facebook
  • Twitter