Now showing items 1-5 of 7

    • Vredeman de Vries: geometry and freedom 

      Recktenwald, Olaf (School of Art History, University of St Andrews, 2014-07-08) - Journal article
      As a result of his highly imaginative perspectival illustrations, late sixteenth-century Dutch architect Hans Vredeman de Vries remained at the pivot point of transferring perspectival developments from Italy to a northern ...
    • Price and Gilpin in the cottage garden: reading the picturesque in late Victorian watercolors 

      Palmor, Lauren (School of Art History, University of St Andrews, 2014-07-08) - Journal article
      In his book American Picturesque, John Conron asserts that the picturesque “leads a nineteenth-century life very much distinguishable from its eighteenth century predecessors.” How was the nineteenth century life of the ...
    • "An urge to take off from the earth": how Malevich embodies the role of 'shamanic artist' in his early career. 

      Gill, Charlotte Lucy (School of Art History, University of St Andrews, 2014-07-08) - Journal article
      The article submitted will bear the following title: “An Urge To Take Off From The Earth”: How Malevich Embodies The Role of ‘Shamanic Artist’ In His Early Career. Its main arguments can be summarized as follows: Firstly ...
    • Development of Social Structures within a changing Museum Frame 

      Nielsen, Jane K (School of Art History, University of St Andrews, 2014-07-08) - Journal article
      This paper looks at how social and epistemological structures have developed within museums. It focuses on the definitions of Michel Foucault´s discourses and Niklas Luhmann’s definitions of social systems and seeks to ...
    • Park fiction - a participatory artistic park project 

      Rühse, Viola (School of Art History, University of St Andrews, 2014-07-08) - Journal article
      The extraordinary green recreational area Park Fiction was proposed, planned, and established by a group of artists, residents, and local institutions in Hamburg from 1994 until 2005. The project was financially supported ...