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dc.contributor.authorHenriksen, Niels.
dc.contributor.editorUniversity of St Andrews. School of Art History.
dc.date.accessioned2008-12-19T13:09:22Z
dc.date.available2008-12-19T13:09:22Z
dc.date.issued2003
dc.identifier.citationInferno: Journal of Art History Vol. 8 Article 5 2003en
dc.identifier.issn1355-5596en
dc.identifier.urihttps://hdl.handle.net/10023/616
dc.descriptionPreviously in the University eprints HAIRST pilot service at http://eprints.st-andrews.ac.uk/archive/00000369/en
dc.descriptionArticle 5 of 6 in issue devoted to the visual culture of the Scandinavian and Baltic region.en
dc.description.abstractThis article will examine the work of the Danish painter, potter and sculptor Asger Jorn (1914-1973). Although Asger Jorn is sometimes presented as the Scandinavian exponent of post war Abstract Expressionism, he was really a movement of his own, consciously working against such categorisations, and arguing against abstraction in art. From the beginning of the 1940s onwards Jorn was the initiator of periodicals and movements and always an ardent supplier of manifestos and articles. The best known of these movements are the COBRA-group and the Situationist International. In particular his work in the Scandinavian Institute for Comparative Vandalism and his project "10000 Years of Scandinavian Folk Art" will be discussed.en
dc.format.extent51937 bytes
dc.format.mimetypeapplication/pdf
dc.language.isoenen
dc.publisherSchool of Art History, University of St Andrewsen
dc.subjectDenmarken
dc.subjectCopenhagenen
dc.subjectSituationisten
dc.subjectVandalismen
dc.subject.lccN1.I6en
dc.titleAsger Jorn and the photographic essay on Scandinavian vandalismen
dc.typeJournal articleen
dc.description.versionPostprinten
dc.publicationstatusPublisheden
dc.statusPeer revieweden


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