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dc.contributor.authorHodge, Kim.
dc.contributor.editorUniversity of St Andrews. School of Art History.
dc.date.accessioned2008-12-18T16:46:17Z
dc.date.available2008-12-18T16:46:17Z
dc.date.issued2003
dc.identifier.citationInferno: Journal of Art History Vol. 7 Article 3 2003en
dc.identifier.issn1355-5596
dc.identifier.urihttp://hdl.handle.net/10023/609
dc.descriptionArticle 3 of 7 in an issue devoted to the visual culture of Poland and Eastern Europe.en
dc.descriptionPreviously in the University eprints HAIRST pilot service at http://eprints.st-andrews.ac.uk/archive/00000385/en
dc.description.abstractTamara de Lempicka’s fusion of artistic influences from 16th & 17th century Italy with the exuberant modernity of 1920’s Parisian society made her a leading figure in the world of Art Deco’s painters. Lempicka’s accomplishments and renown came from a mixture of innate design skills, her study of art and the inventiveness of her vision. This article examines the development of her work and its later reception.en
dc.description.sponsorshipThis issue was sponsored by The Sikorski Polish Club and the Scottish Polish Cultural Association.en
dc.format.extent116573 bytes
dc.format.mimetypeapplication/pdf
dc.language.isoenen
dc.publisherSchool of Art History, University of St Andrewsen
dc.subjectTamara De Lempickaen
dc.subjectPolish arten
dc.subjectFrench arten
dc.subjectParisen
dc.subjectNeo-cubismen
dc.subjectLhoteen
dc.subject.lccN1.I6en
dc.titleTamara de Lempicka 1898-1980en
dc.typeJournal articleen
dc.description.versionPostprinten
dc.publicationstatusPublisheden
dc.statusPeer revieweden


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